Showing posts with label kristen painter. Show all posts
Showing posts with label kristen painter. Show all posts

Chapter Excerpt for House of the Rising Sun by Kristen Painter

Tuesday, April 15, 2014





 Augustine lives the perfect life in the Haven city of New Orleans. He rarely works a real job, spends most of his nights with a different human woman, and resides in a spectacular Garden District mansion paid for by retired movie star Olivia Goodwin, who has come to think of him as an adopted son, providing him room and board and whatever else he needs.

But when Augustine returns home to find Olivia's been attacked by vampires, he knows his idyllic life has comes to an end. It's time for revenge—and to take up the mantle of the city's Guardian.












Prologue
New Orleans, Louisiana, 2040

Why can’t we take the streetcar?” Walking home from church at night was always a little scary for Augustine, especially when they had to go past the cemetery.

“You know why,” Mama answered. “Because we don’t have money for things like that. Not that your shiftless father would help out. Why I expect anything from that lying, manipulative piece of…” She grunted softly and shook her head.

Augustine had never met his father, but from what Mama had told him, which wasn’t much, his father didn’t seem like a very nice man. Just once, though, Augustine would like to meet him to see what he looked like. Augustine figured he must look like his father, because he sure didn’t look like Mama. Maybe if they met, he’d also ask his father why he never came around. Why he didn’t want to be part of their family. Why Mama cried so much.

With a soft sigh, he held Mama’s hand a little tighter, moving closer to her side. Unlike him, Mama only had five fingers on each hand, not six. She didn’t have gray skin or horns like him, either. She didn’t like his horns much. She kept them filed down so his hair hid the stumps. He jammed his free hand into his jacket pocket, the move jogging him to the side a little.

“Be careful, Augustine. You’re going to make me trip.”

“Sorry, Mama.” The sidewalks were all torn up from the tree roots poking through them. The moon shone through those big trees with their twisty branches and clumps of moss, and cast shadows that looked like creatures reaching toward them. He shivered, almost tripping over one of the roots.

She jerked his arm. “Pay attention.”

“Yes, Mama.” But paying attention was what had scared him in the first place. He tried shutting his eyes, picking his feet up higher to avoid the roots.

Next thing he knew, his foot caught one of those roots and he was on his hands and knees, the skin on his palms burning from where he’d scraped them raw on the rough sidewalk. His knee throbbed with the same pain, but he wouldn’t cry, because he was almost nine and he was a big boy. Old enough to know that he must also control the powers inside him that wanted to come out whenever he felt angry or hurt or excited.

“Oh, Augustine! You ripped your good pants.” Mama grabbed his hand and tugged him to his feet.

“I’m sorry about my pants.” He stood very still, trying not to cause any more trouble. Mama got so angry, so fast. “My knee hurts.”

With a sigh, Mama crouched down, pulled a tissue from her purse, spit on it and began to dab at the blood. “It will be okay. It’s just a little scrape. And you heal… quickly.”

The dabbing hurt worse, but he kept quiet, biting at his cheek. He looked at his hands, opening his twelve fingers wide. Already the scrapes there were fading. It was because of his fae blood, which he wasn’t supposed to talk about. He dropped his hands and stared at the tall cemetery wall next to them. On the other side of that wall were a lot of dead people. In New Orleans, no one could be buried underground because of the water table. He’d learned that in school.

The wind shook the tree above their heads, making the shadows crawl toward them. He inched closer to her and pointed at the cemetery. “Do you think there’s ghosts in there, Mama?”

She stood, ignoring his pointing to brush dirt off his jacket. “Don’t be silly. You know ghosts aren’t real.”

The cemetery gates creaked. She turned, then suddenly put him behind her. Around the side of her dress, Augustine could see a big shape almost on them, smell something sour and sweaty, and hear heavy breathing. Mama reached for Augustine, jerking them both back as the man grabbed for her.

The man missed, but Mama’s heart was going thump, thump, thump. That was another fae thing Augustine wasn’t supposed to talk about, being able to hear extra-quiet sounds like people’s hearts beating.

“C’mere, now,” the man growled. Even in the darkness, Augustine’s sharp fae eyes could see the man’s teeth were icky.

Mama swung her purse at him. “Leave us alone!”

“Us?” The man grunted, his gaze dropping to Augustine. Eyes widening for a second, he snorted. “Your runt’s not going to ruin my fun.”

“I’m not a runt,” Augustine said. Fear made his voice wobble, but he darted out from behind his mother anyway, planting himself in front of her.

The man swatted Augustine away with a meaty hand.

Augustine hit the cemetery wall, cracking his head hard enough to see stars. But with the new pain came anger. And heat. The two mixed together like a storm in his belly, making him want to do… something. He tried to control it, but the man went after Mama next, grabbing her and pushing her to the ground. Then the man climbed on top of her.


She cried out and the swirling inside Augustine became a hurricane dragging him along in its winds. Without really knowing what he was doing, he leaped onto the man’s back. The hard muscle and bone he expected seemed soft and squishy. He grabbed fistfuls of the man’s jacket—but his hands met roots and dirt and shards of concrete instead.

Mama’s eyes blinked up at him, wide and fearful. She seemed a little blurry. Was he crying? And how was he seeing her when he was on the man’s back? And why had everything gone so quiet? Except for a real loud tha-thump, tha-thump, tha-thump, everything else sounded real far away. He pushed to his knees, expecting them to sting from his fall, but he felt nothing. And the man attacking his mother was somehow… gone.

“Don’t, Augustine.” She shook her head as she scrabbled backward. “Don’t do this.”

“Don’t do what, Mama?” He reached for her but the hand that appeared before him was too big. And only had five fingers. He stuck his other hand out and saw the same thing. “What’s happening to me, Mama?”

“Get out of him, Augustine.” She got to her feet, one trembling hand clutching the crucifix on her necklace. “Let the man go.”

He stood and suddenly he was looking down at his mother. Down. How was he doing that? He glanced at his body.

But it wasn’t his body, it was the man’s.

“I don’t understand.” But he had an idea. Was this one of the powers he had? One of the things he was supposed to control? He didn’t know how to get out. Was he trapped? He only wanted to protect his mother, he didn’t want to be this man!

The storm inside him welled up in waves. The heat in his belly was too much. He didn’t understand this new power. He wanted to be himself. He wanted to be out. Panic made bigger waves, hot swells that clogged his throat so he couldn’t take deep breaths. The thumping noise got louder.

The man’s hands reached up to claw at Augustine, at his own skin.

Mama backed away, her fingers in the sign of the cross. He cried out to her for help. He was too hot, too angry, too scared—

A loud, wet pop filled his ears and he fell to his hands and knees again, this time covered in sticky red ooze and smoking hunks of flesh. The thumping noise was gone. Around him was more sticky red, lumps of flesh and pieces of white bone. All he could think about was the time he and Nevil Tremain had stuffed a watermelon full of firecrackers. Except this was way worse. And blowing up the watermelon hadn’t made him feel like throwing up. Or smelled like burnt metal. He sat back, wiped at his face and eyes and tried to find his mother. She was a few feet away, but coming closer.

“You killed that man.” She stood over him looking more angry than afraid now. “You possessed that man like a demon.” She pointed at him. “You’re just like your father, just like that dirty fae-blooded liar.”

Augustine shook his head. “That man was hurting you—”

“Yes, you saved me, but you took his life, Augustine.” She looked around, eyes darting in all directions. “Sturka,” she muttered, a fae curse word Augustine had once gotten slapped for saying.

“I didn’t mean to, I was trying to help—”

“And who’s next? Are you going to help me that way too someday?”

He was crying now, unable to help himself. “No, Mama, no. I would never hurt you.”

She grabbed him by his shirt and yanked him to his feet. “Act human, not like a freak, do you understand? If people could see what you really looked like…” Fear clouded her eyes.

He nodded, sniffling, hating the smell of the blood he was covered in. He didn’t want to be a freak. He really didn’t.

“I can act human. I promise.”

She let go of his shirt, her lip slightly curled as she looked him over. “This was your father’s blood that caused this. Not mine.”

“Not yours,” Augustine repeated. Mama looked human but was part smokesinger, something he knew only because he’d overheard an argument she’d had with his father on the phone once. He’d learned other things that way, too.

Like that his father was something called shadeux fae. But not just part. All of him. And he’d lied to Mama about that. Used magic to make Mama think he was human. To seduce her.

“I never want to hear or see anything fae ever again or I will put you out of my house. I live as human and while you’re under my roof, so will you. Am I clear?”

The thought of being without her made his chest ache. She was all he had. His world. “Yes, Mama.”

But keeping his fae side hidden was impossible and five years later, put him out is exactly what she did.




House of the Rising Sun is expected to be published May 13, 2014.

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Top Ten Book Covers of 2011

Thursday, December 29, 2011
Out of a field of 212 books I've read this year, here are the ten best covers:

1. The Night Circus by Erin Morgenstern




 The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.

But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands.

True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus per­formers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead.

 Though I love both, the first is both the one I own and my favorite. Gorgeous cover for a gorgeous novel.


2. Daughter of Smoke and Bone by Laini Taylor




 Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.

In a dark and dusty shop, a devil's supply of human teeth grown dangerously low.

And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherwordly war.

Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out.

When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?



 Another gorgeous cover for one of my favorite reads of the year, I have the first (the U.S. edition). I utterly love the U.K. edition as well; both are very appropriate for the story Laini Taylor has so expertly crafted in this novel.


3. The Distant Hours by Kate Morton





 A long lost letter arrives in the post and Edie Burchill finds herself on a journey to Milderhurst Castle, a great but moldering old house, where the Blythe spinsters live and where her mother was billeted 50 years before as a 13 year old child during WWII. The elder Blythe sisters are twins and have spent most of their lives looking after the third and youngest sister, Juniper, who hasn’t been the same since her fiance jilted her in 1941.

Inside the decaying castle, Edie begins to unravel her mother’s past. But there are other secrets hidden in the stones of Milderhurst, and Edie is about to learn more than she expected. The truth of what happened in ‘the distant hours’ of the past has been waiting a long time for someone to find it.

 I loved this book so much I still can't articulate my thoughts enough for a real review. Almost matching my love for the novel itself is my love for the (left and the one I won) cover: detailed, intricate and showcasing the Milderhurst Castle.


4. The Book of Blood and Shadow by Robin Wasserman



It was like a nightmare, but there was no waking up.  When the night began, Nora had two best friends and an embarrassingly storybook one true love.  When it ended, she had nothing but blood on her hands and an echoing scream that stopped only when the tranquilizers pierced her veins and left her in the merciful dark.

But the next morning, it was all still true: Chris was dead.  His girlfriend Adriane, Nora's best friend, was catatonic. And Max, Nora's sweet, smart, soft-spoken Prince Charming, was gone. He was also—according to the police, according to her parents, according to everyone—a murderer.

Desperate to prove his innocence, Nora follows the trail of blood, no matter where it leads. It ultimately brings her to the ancient streets of Prague, where she is drawn into a dark web of secret societies and shadowy conspirators, all driven by a mad desire to possess something that might not even exist. For buried in a centuries-old manuscript is the secret to ultimate knowledge and communion with the divine; it is said that he who controls the Lumen Dei controls the world. Unbeknownst to her, Nora now holds the crucial key to unlocking its secrets. Her night of blood is just one piece in a puzzle that spans continents and centuries. Solving it may be the only way she can save her own life.

This is due to be published in early 2012 so there is only the one cover so far. I love the detail of the eye: you can see the reflection of Prague in Nora's (? I'm guessing) eye. The setting is so alive and vibrant in this novel I love that it is hinted at right on the cover.


5. Embassytown by China Mieville



 In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak.

Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language.

When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.

The first is the hardback edition, the latter the paperback version. I own and prefer the hardback, with the dark background and the letters being light. The cover definitely underscores the importance of words and language in life and in the novel itself.


6. The entire Iron Fey series (as one, it's unfair otherwise!) The Iron King, Winter's Passage, The Iron Daughter, The Iron Queen, Summer's Crossing, The Iron Knight by Julie Kagawa











 Summary from book one, The Iron King:


Meghan Chase has a secret destiny—one she could never have imagined…

Something has always felt slightly off in Meghan's life, ever since her father disappeared before her eyes when she was six. She has never quite fit in at school…or at home.

When a dark stranger begins watching her from afar, and her prankster best friend becomes strangely protective of her, Meghan senses that everything she's known is about to change.

But she could never have guessed the truth—that she is the daughter of a mythical faery king and is a pawn in a deadly war. Now Meghan will learn just how far she'll go to save someone she cares about, to stop a mysterious evil no faery creature dare face…and to find love with a young prince who might rather see her dead than let her touch his icy heart.

The whole series, novellas included, really hits it out of the park where covers are concerned. I would say The Iron Knight is my favorite, mostly because the scheme used is blue/white/silver and I love those colors together. Ash doesn't hurt though, either. ;)
7. Blood Rights (and sequels) by Kristen Painter


 


Summary from book one, Blood Rights:

The lacy gold mapped her entire body. A finely-wrought filigree of stars, vines, flowers, butterflies, ancient symbols and words ran from her feet, up her legs, over her narrow waist, spanned her chest and finished down her arms to the tips of her fingers.

Born into a life of secrets and service, Chrysabelle’s body bears the telltale marks of a comarré—a special race of humans bred to feed vampire nobility. When her patron is murdered, she becomes the prime suspect, which sends her running into the mortal world…and into the arms of Malkolm, an outcast vampire cursed to kill every being from whom he drinks.

Now Chrysabelle and Malkolm must work together to stop a plot to merge the mortal and supernatural worlds. If they fail, a chaos unlike anything anyone has ever seen will threaten to reign.
Though I've only read book one, I thoroughly enjoyed the beginning to this series. Plus, they look GREAT on a bookshelf. An eye-catching cover for a magpie-like eye like mine.


8. The Forgotten Garden by Kate Morton

 

 





















And a look at the type of artwork by Arthur Rackham in the inside cover over the first version:



 
A foundling, an old book of dark fairy tales, a secret garden, an aristocratic family, a love denied, and a mystery. The Forgotten Garden is a captivating, atmospheric and compulsively readable story of the past, secrets, family and memory from the international best-selling author Kate Morton.

Cassandra is lost, alone and grieving. Her much loved grandmother, Nell, has just died and Cassandra, her life already shaken by a tragic accident ten years ago, feels like she has lost everything dear to her. But an unexpected and mysterious bequest from Nell turns Cassandra's life upside down and ends up challenging everything she thought she knew about herself and her family.

Inheriting a book of dark and intriguing fairytales written by Eliza Makepeace - the Victorian authoress who disappeared mysteriously in the early twentieth century - Cassandra takes her courage in both hands to follow in the footsteps of Nell on a quest to find out the truth about their history, their family and their past; little knowing that in the process, she will also discover a new life for herself.

How gorgeous is that illustration? I loved this novel, though not as much as The Distant Hours, and Arthur Rackham's whimsical illustrations are perfect
 
 
9. The Butterfly Clues by Kate Ellison



Penelope (Lo) Marin has always loved to collect beautiful things. Her dad's consulting job means she's grown up moving from one rundown city to the next, and she's learned to cope by collecting (sometimes even stealing) quirky trinkets and souvenirs in each new place--possessions that allow her to feel at least some semblance of home.
But in the year since her brother Oren's death, Lo's hoarding has blossomed into a full-blown, potentially dangerous obsession. She discovers a beautiful, antique butterfly pendant during a routine scour at a weekend flea market, and recognizes it as having been stolen from the home of a recently murdered girl known only as "Sapphire"--a girl just a few years older than Lo. As usual when Lo begins to obsess over something, she can't get the murder out of her mind.

As she attempts to piece together the mysterious "butterfly clues," with the unlikely help of a street artist named Flynt, Lo quickly finds herself caught up in a seedy, violent underworld much closer to home than she ever imagined--a world, she'll ultimately discover, that could hold the key to her brother's tragic death.

I loved this: very visually striking but still true to story of the novel. I wish that this was a series in fact: more covers like this and more time with Lo would be much appreciated by me.


10. Graffiti Moon by Cath Crowley


 





















 "Let me make it in time. Let me meet Shadow. The guy who paints in the dark. Paints birds trapped on brick walls and people lost in ghost forests. Paints guys with grass growing from their hearts and girls with buzzing lawn mowers."

It’s the end of Year 12. Lucy’s looking for Shadow, the graffiti artist everyone talks about.

His work is all over the city, but he is nowhere.

Ed, the last guy she wants to see at the moment, says he knows where to find him. He takes Lucy on an all-night search to places where Shadow’s thoughts about heartbreak and escape echo around the city walls.

But the one thing Lucy can’t see is the one thing that’s right before her eyes.


 I honestly love both versions. I like the hazy background of the first and the starkness of the second. I don't own a copy of this yet (I read a digital ARC) but can't wait to see which one I come across first,

Honorable Mentions:


Broken by Kelley Armstrong




The Mephisto Covenant by Trinity Faegan





Angelfall by Susan Ee





The Tea Rose by Jennifer Donnelly



The Winter Rose by Jennifer Donnelly




Darker Still by Leanna Renee Hieber




Review: Blood Rights by Kristen Painter

Saturday, December 10, 2011
Genre: supernatural fiction
Series: House of Comarré #1
Pages: 433 (Nook NetGalley ARC edition)
Published: October 2011
Source: publishers via NetGalley
Rating: 4/5

The lacy gold mapped her entire body. A finely-wrought filigree of stars, vines, flowers, butterflies, ancient symbols and words ran from her feet, up her legs, over her narrow waist, spanned her chest and finished down her arms to the tips of her fingers.

Born into a life of secrets and service, Chrysabelle’s body bears the telltale marks of a comarré—a special race of humans bred to feed vampire nobility. When her patron is murdered, she becomes the prime suspect, which sends her running into the mortal world…and into the arms of Malkolm, an outcast vampire cursed to kill every being from whom he drinks.

Now Chrysabelle and Malkolm must work together to stop a plot to merge the mortal and supernatural worlds. If they fail, a chaos unlike anything anyone has ever seen will threaten to reign.

Kristen Painter breathes her own version of supernatural life into the genre with Blood Rights, the first in a planned urban fantasy series, and it is lively indeed. With a convoluted culture and three-dimensional, fleshed-out characters this was an interesting twist on the human/vampire relationship shown so often in this (and, really, paranormal romance as well) type of genre. There's a lot to take in and enjoy from Ms. Painter's crafted world of vampire geisha, corporeal ghosts and hidden assassins. Blood Rights is the kind of novel one would plan to read for "just a minute" but actually ends up in the same place but two hundred pages, numerous escapades and hours later. With her kick-ass female protagonist Chrysabelle and tortured male protagonist Mal, I found a lot worth mentioning from this introductory but by means boring first novel. Intensely readable, Blood Rights is definitely in the running for my favorite (adult/non-YA) vampire read of the year.

Moreso even than the characters, the world that the author has so intricately created is impressive and far-reaching. The comarré themselves are a creative addition: closely related to the kine (humans) of the world, but longer-lived, faster, and infinitely more desirable. The signum of the breed is also interesting: it allows for instant identification much like the facial tattoos/uploads of the GENs in the YA dystopia Tankborn. The comarré are always very aware of who/what they are and where they stand in the vampires' view. I found the interactions and dependency between the comarré and the vampires to be vastly interesting. Each side benefits uniquely from the arrangement: the vampire receives increased power/life from the blood of the comar/comarré and the gold-gilded almost-humans receive longevity, increased strength, speed and self-healing capabilities. I liked that it was a give-and-take between the both species; it certainly makes it easier to buy Chrysabelle's more martial nature further on. It's a fairly level balance of power that keep the comarré from being just slaves or indentured servants to the undead nightwalkers (and that's not even mentioning other obvious talents of the comarré. . ). While the vampire half of this symbiotic relationship isn't as revelatory and new as the comarré aspect, Painter does go so far as to imbue her novel with different types of vampires: fringe and noble, each descended from a vastly different source. I do wish clarification about terms/culture of this world had been provided much earlier: it's vexing to try and figure out what "fringe" or "anathema" means in relation to these vampires for 250 pages.

Obviously, Blood Rights has a very complete and complicated, alternate world. Though similar to this modern one we live in, locations like "New Florida" or "Islamic Republic of France" are subtly dropped into conservations, ensuring the reader is aware that 2067 is a very different world. Even the swearing is different, and even theme-appropriate for a vampire book ("son of a priest!" also? just hilarious.) With vampires in a very regimented patriarchal society, organized by Family/talent (I also loved the nods to first purported vampires Vlad Tepes and Erzsébet Bathory inserted into the novel) Elders and Dominus, Painter's social stratification is omnipresent, even among species, not just between them. Not only are vampires and comarré either reinvented or completely created, but many types of fae (wysper, shadeux, others), and other creatures, are present as well. Hidden from humans because of a mysterious "Covenant", Chrysabelle's world has other such nasties as Nothos, or hellhounds created from human and vampire stock. I love the constant touch if originality for Painter's supernatural creations: she even re-imagined shapeshifters as her varcolai. Not much was explained about the varcolai, with only one character belonging to that race, but with three novels to follow in this promising series, I'll trust the information is en route.

Chrysabelle, with her desire for freedom, is likeable though it takes a bit. Her desire for independence is one of the most compelling components of her character: as the saying goes, a gilded cage is still just a cage. As the absolute best of the best for comarré, a Primoris Domus comarré, she is much more than she appears, and more than any vampire bargained for. It's easy to root for Chrysabelle to win out against the bad guys. She's definitely hardcore, and while I fear she may be guilty of the dreaded "Waif Fu" trope, her violent tendencies work well for such a determined character. I wish Chrysabelle had been a little more discrete: secrets seem to fall from her lips anytime someone just asks. It's remarkably easy for Mal to tease the comarré race?species? from her within days of their meeting. I personally thought her story about the signum and what getting a new one means was very revealing about her character: this is a woman that has sought freedom her entire existence, only to be constantly, unjustly denied. I just wish Chrysabelle had dropped her attitude a bit earlier because it seems to go on a bit long once she's within Mal, Doc and Fi's circle. Mal himself is a dark, tortured vampire. As in, twice cursed and therefore gruff, reticent and often quite hard to deal with. Everyone has issues with Mal at some point in the story: Chrysabelle, Maddoc, Fi, Preacher, Dominic. . . I found Mal's double cursed status to be almost a conscience for the soulless anathema (outcast from noble vampires). Unable to take "vino de vena" (another clever twist to the real-world) Mal is different from all the other vamps in the novel, including his unusual relationship and attitude toward the comarré in his care. Mal is always isolated: even as a human he was "anathema", which bodes less than well for his eternal life. I liked Mal more than his female Golgotha-blade-wielding counterpart, and while I still find his and Chrysabelle's relationship to be too tumultuous, it is a believable one to read. It certainly takes a long time to coalesce, and their relationship is never the forefront of the narrative. This is definitely an urban fantasy not a paranormal romance. The focus is clearly upon the action and plot, with any side stories remaining just that.

Outside of Mal and Chrysabelle, I largely enjoyed this cast of characters. Even the villains are strikingly evil without being too cartoonish. I will say that Tatiana, of the Family Tepes and the main present antagonist for Blood Rights is the most maniacal, megalomaniacal (it's a word) vampiress I've read to date. She somehow manages to be surprisingly well-rounded for a power-hungry bitch, with hidden facets I couldn't have seen coming. Her scenes were often cringe-inducing, especially those with the father of all vampires, varcolai, Nothos: the Castus Sangus. What I like best about Tatiana is that she is never predictable throughout the narrative and she was always riveting to read. Maris, an aunt of Chrysabelle's and a free comarré was a sneak favorite of mine. What I assumed to be a fairly humdrum character defied my expectations and was a fully-rounded and human character with her own unique and compelling  history from before the events of Blood Rights. Painter does an excellent job of slowly teasing out the story of Maris, and her evolution was one of my favorite parts of the novel. 

Most of all, I wish the beginning of the novel was a bit less unclear and confusing. Like I said earlier, I thoroughly enjoy this varied and lifelike world the author has fashioned for her characters to live within, but the first seventy-five or so pages were not easy. There's incredible amounts of action occurring even as the first chapter ends - murders, conspiracies, flight from danger, stabbings - with little to no contextual details. It's a lot to take in before the first understanding the basics of the world, like vocabulary. But if I was initially dismayed by Blood Rights, it didn't last past page 100. By then, the sheer amounts of awesome have started to leak through to the plot and characters and I loved it. Kristen Painter can definitely write a twist - ones I don't even predict. Some plot lines were fairly obvious but others might as well have been a piano dropping out of the sky upon my head (Maris! WTF!).  I thought the time and effort spent on the varcolai (but super attractive) Maddoc was a little wanting. I had the same situation regarding Fi - she's very inscrutable and quite hard to read with her whiplash emotions. I was never sure what her real feelings towards Mal were, though I loved her and Doc.

As I said before and as was once again proved by the ending to Blood Rights, Ms. Painter is not an author I can accurately predict. I did not see that ending coming at all and I am left eager and excited to get book two, Flesh and Blood. With plot twists that are genuinely shocking, an intricate and complete world along with compelling characters, Blood Rights is a hard novel to resist for any urban fantasy/supernatural fiction fan.
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