Showing posts with label n.k. jemisin. Show all posts
Showing posts with label n.k. jemisin. Show all posts

Review: The Kingdom of Gods by N.K. Jemisin

Sunday, January 8, 2012
Author: N.K. Jemisin
Genre: fantasy
Series: The Inheritance Trilogy #3
Pages: 575 (mass market paperback)
Published: October 2011
Source: bought
Rating: 5/5

For two thousand years the Arameri family has ruled the world by enslaving the very gods that created mortalkind. Now the gods are free, and the Arameri’s ruthless grip is slipping. Yet they are all that stands between peace and world-spanning, unending war.

Shahar, last scion of the family, must choose her loyalties. She yearns to trust Sieh, the godling she loves. Yet her duty as Arameri heir is to uphold the family’s interests, even if that means using and destroying everyone she cares for.

As long-suppressed rage and terrible new magics consume the world, the Maelstrom — which even gods fear — is summoned forth. Shahar and Sieh: mortal and god, lovers and enemies. Can they stand together against the chaos that threatens the Kingdom of the Gods?

The Kingdom of Gods is the last book in the Inheritance Trilogy, and it is written from the perspective of Sieh, god of childhood. Sieh, lonely and seeking comfort, finds himself (much to his own chagrin) befriending the current Arameri heirs, Shahar and Dekarta. During their bonding, however, something goes wrong, and Sieh is trapped as a mortal- a true one this time, for his godly powers are slowly lost, not to mention the fact that he is truly and irrevocably growing up. In delving into this mystery, a larger conspiracy makes itself known, and it becomes clear that

The Trickster is keeping a whopper of a secret- even from himself.

In this final tale, Jemisin really grabbed onto her craft and wrestled from it a story of delight and wonder. There are no superfluous descriptions or wasted moments- every scene is essential to the whole, making The Kingdom of Gods a serious page-turner.

My favorite aspect of this book, though, is how every few pages, I could picture myself with comic-like thought bubbles like:

Sieh is such a naughty boy!
LOL @ Sieh, what an ass!
Yeine did WHAT???... Oh, clever Yeine.
HOLY CRAP I did not see that coming! Etc.

Everyone's character- Yeine, Sieh, Itempas, Shahar, Dekarta...- shows signs of maturation, both in context and as creatures of fiction. The challenge they must all step up to is a great one, and it's fascinating to see how they each handle the pressure.

The book has few faults in my eyes, but one of them seems a common concern among fellow reviewers- the deus ex machina ending. However, I find this necessary in this case- the story is about gods. The author never tried to hide that fact - it's there in the title! I think a more appropriate description might be this made up term I'm using- deus ex deus. Even this, though, is a small flaw. The characters' actions have real consequences, and the ending is not exactly "everyone lived happily ever after."

The story of the god of childhood takes many unexpected twists and turns and encompasses many varying themes, such as loneliness, friendship, and the fascinating-if-fictional evolution of the gods. It's nice to see a trilogy that ends with the strongest book! Highly recommended.

Top Ten Fantasy Novels of 2011

Saturday, December 31, 2011
I didn't read as much fantasy as I usually do this year (I blame my recent and often looooong forays into good YA).  I did manage to read more than a few impressive examples of my favorite genre when I wasn't distracted by another market.

1. The Crippled God by Steven Erikson
(The Malazan Book of the Fallen #10)



Some might be surprised that the long-anticipated A Dance with Dragons by George R. R. Martin isn't in my top spot for how much I waited and loved it when it came, but this novel takes the cake. One of the most impressive. sprawling, imaginative, creative, unique fantasy series out there, Erikson's Malazan Book of the Fallen series does not disappoint with its 10th and final volume. One of the few authors that hasn't let me down with epic series finales, I am eager for more books from Mr. Erikson.

My advice: 
 If you have trouble with the first novel Gardens of the Moon, as so many new readers do, just stick it out. It's a rewarding series to pursue to the finish.

2. A Dance with Dragons by George R. R. Martin
(A Song of Ice and Fire #5)

 

You knew it was going to be in here somewhere: I loved and absorbed the most recent novel from Martin. Long anticipated and awaited since the arrival of A Feast for Crows nearly 6 years before, I was one of the few fans A Dance with Dragons did not disappoint. While my opinion is far from universal and Martin is wearying on even my patience, I was grateful for such a long, complete trip to Westeros. Not the most exciting novel to date (but hey now, will anything in this series ever top the Red Wedding?), A Dance with Dragons is a solid offering in my still-favorite on-going series.

My advice
Don't expect Red Wedding-esque events but you will be engrossed and entertained in the continuing tale of the Lannisters, Starks and Targaryens.



3. Heartless by Gail Carriger
(The Parasol Protectorate #4)


Gail Carriger's lively and imaginative books consist of my favorite steampunk series and one of my all-time favorite heroines in Alexia Maccon. Heartless is another on-point addition to the three-book tradition established: funny, inventive, unique, and a race to the finish. I loved Heartless from start to its all-too-soon-finish: full of Carriger's trademark humor and wit, tea,  researched thoroughly for an authentic and real feel, I defy anyone's inability to be charmed by Alexia's latest escapades.

My advice:
Go to your nearest bookstore/favorite online retailer. Order Soulless, the first in the series, and don't look back. Be prepared for cleverness, wit, and humor in a familiar-yet-foreign locale peopled with drones, werewolves and preternaturals. Continue reading until reaching book four, whereupon you must wait impatiently for the fifth and final book, Timeless, due out February 2012.



4. The Wise Man's Fear by Patrick Rothfuss
(The Kingkiller Chronicles #2)


Second in a planned trilogy, The Wise Man's Fear delivers what so many fantasy fans were craving after The Name of the Wind. Like denner resin, Patrick Rothfuss world is easily addictive and immensely colorful. The mysterious, aloof but incredibly alluring Kvothe is back, with more of his mysterious past and tale to unravel at his Waystone Inn. More answers are provided from events in book one, though not as much action takes pace during this sequel.   

My advice:
The strength of this second novel is in the rich, developed characters at the heart of the story. Kvothe, Bast, Tempi, etc. fill in the black and white of Kvothe's tale. Don't get frustrated that not all answers are provided, that Ambrose and Kvothe's rivalry isn't as engaging as before: focus on the characters and Rothfuss great talent for telling a compulsively readable tale.



5. Daughter of Smoke and Bone by Laini Taylor
(Daughter of Smoke and Bone #1)


My love for this book is far and wide and often shown on this blog. It's made two of my "Top Ten" lists for the year (Best Young-Adult Novel #1, Best Covers #2) and my love for it is totally warranted. Karou is strong, independent but not perfect: she's relatable and grounded in a world of magic and teeth. Taylor earns major major kudos for her intelligent treatment not of only her female protagonist, but for her handling of the
romance angle to her novel. The love story isn't overwhelming or saccharine for a change. This novel has many nice twists on many of the prevalent tropes seen in YA novels: angels, devils, seraphim, forbidden love... all receive new ideas and representation in Taylor's evocative novel.

My advice:
If you're a fan of great visual description, beautiful prose, a teenage romance that feels genuine and appropriate,  pick this up the first chance you get. I think this is a nice segue for readers who love YA but haven't read much fantasy: Taylor has a great blend of genres at work within Daughter of Smoke and Bone - it's never boring!



6. The Broken Kingdoms by N.K. Jemisin
(The Inheritance Trilogy #2)


Though the first in author N.K. Jemisin's fantasy trilogy does appear in this Top Ten list, it is surprisingly after its direct sequel here at #6, The Broken Kingdoms. With less of the pacing and plotting issues that the first had, The Broken Kingdoms is an exciting and new addition to this series: gone is the first main character but a just as strong and even more likeable one has replaced her. So much of the typical fantasy structures are just a little different in this series; it's one of the reasons I rate them so highly and eagerly await a new release.

My advice:
Do yourself a favor and break from the old fantasy standbys like Cook, Wolfe, Lackey, etc. Give this newish series and author a try with the first novel, but if it's not precisely to your taste: keep going. The second is even better than the first and I have very high hopes for the conclusion to this creative and individual fantasy series. 



7. Stardust by Neil Gaiman



 One of the few books that I saw the movie before buying and reading, Stardust is a delight. Though oftentimes quite different from the on-screen version I loved, Gaiman's tale is just as charming and engaging when on the page. Inventive, quirky and engrossing, this was my first thought surely not last foray into Mr. Gaiman's bibliography.

My advice:
Read this is you're searching for a bit of fun and don't need dragons to enjoy your fantasy. Be prepared to want more than is there, as this is quite a short little novel filled with lovely and lively people.



(The Inheritance Trilogy #1)


The introduction to Jemisin's exciting and fresh series, The Hundred Thousand Kingdoms is a very strong beginning and a solidly entertaining fantasy novel. With new ideas and magics and Gods, Ms. Jemisin's world is indelibly her own and very interesting. Reminiscent of fantasy great Roger Zelazny with its familial internecine intrigue, The Hundred Thousand Kingdoms does so many things right and uniquely.

My advice:
This is another must-read for any fantasy fan that likes unique and creative magic with their dose of escapism. Much like Brandon Sanderson, Jemisin doesn't rely on old hat tricks and ways of magic: her methods and ideas are unique to her novels and people. 



9. Enchantment by Orson Scott Card


A time-traveling tale of faeries, Baba Yaga and love across time, Enchantment is a one-off and sadly so since I'd love to continue . Though I despise its author, this was a charming, whimsical and all-around fun read. A nice mix of folktales and myths from Russia and other places keep it fresh and less fantasy than other entries, but hey this is my list and blog, I can do what I want.

My advice:
Read if you're looking for a fun, easy read with creative twists and turns. Some readers may have issues with the religion aspects to the novel and characters, but they were easily dismissed by my liking for the plot and characters, especially the villains.
10. The Iron Knight by Julie Kagawa


Fourth and final novel in the much loved and read Iron Fey series, The Iron Knight is a change from the first three and refreshingly so. Not told from Meghan Chase perpective, this is a close look at Ash of the Unseelie Court. Long my favorite character of these books, I loved this trek from his mind: a nice contrast from Meghan's usual views. Conclusing a well loved series with aplomb and some serious twists, The Iron Knight is a winner from beginning to end.

My advice:
If you don't like fae/fairy novels give this series a try. The first is the weakest by far, but hold out for the better, stronger novels further down the line.


Honorable Mentions:

Seraphina by Rachel Hartman

Touch of Power by Maria V. Snyder

Among Thieves by Douglas Hulick

Theft of Swords (The Crown Conspiracy and Avempartha) by Michael J. Sullivan

Review: The Broken Kingdoms by N.K. Jemisin

Sunday, June 19, 2011

Author: N.K. Jemisin
Genre: fantasy
Series: The Inheritance Trilogy #2
Pages: 416 (Nook format)
Published: November 2010
Source: bought
Rating: 4.5/5


In this, the second of her planned Inheritance trilogy, Jemisin once again delivers another captivating and wonderfully different fantasy story. The introduction takes place at the time of the Gray Lady's birth at the end of The Hundred Thousand Kingdoms, and then abruptly the narrative skips forward ten years. The perfect world, the structured monotheistic religion and city of Sky that the Amn, and the Arameri have crafted and perfected over millennia, all have changed drastically. As evidenced by the World Tree entwined completely around the city and even palace of Sky, the symbolic power of Bright Itempas and His chief devouts the Arameri, there is no longer one supreme God. The other Gods and godlings, held back from the world for centuries by the Inderdict of Itempas, now dwell among their human kin in Shadow-under-Sky. Ten years have passed since the events in book one, but now someone in that sheltered city has figured out how to assassinate the immortals.

Instead of fierce, fighting-for-her-life-and-country Yeine, this time around the female main character is more docile and unassuming; seeking only to survive on her own independence in a fierce city. A blind artist named Oree Shoth, she has the astounding ability to "see" magic. A city full of magical godlings lured her from her mother and home of Nimaro in Maroneh after the ascension of the Gray Lady and the Lord of Dark Shadows. Once again, Jemisin stands fantasy stereotypes on their heads: Oree is a dark-skinned character from an Amn/Arameri-vanquished culture. She's a strongly sympathetic character, warm and obviously kind-hearted. Oree might be blind (most of the time) but she sees the world for how it is in a city of people who'd rather lie and deceive themselves. She's rather more proactive than reactive, a fact that is easy to appreciate in a genre populated with more than enough Damsels in Distress. Her rapidly expanding magical repertoire over the events of the novel seem a bit like a deux ex machina until the BIG reveal towards the end of the novel. I will say that Oree had all the elements and knowledge long before she put them together, which seemed out of character for such an intelligent and capable woman. But my minor grumbles aside, Oree was another well-written, likable, strong female character.

Once again, this novel told in the first person perspective, that of Oree dictating, remembering her story. The question obviously then is: who is the intended reader/listener? From the diction, and the smooth, conversational flow, it is clearly not the reading audience. Unlike the previous protagonist Yeine, Oree does not break the fourth wall: her message and story is for another. There is a more relaxed, easy going tone in this book than the first. Perhaps this is simply because Yeine struggled openly and interpersonally and so much of Oree's fight is within herself, or Shiny. Oree has to deal with less pressure than Yeine, who knew she was going to die and tried to protect an entire country, whereas Oree fights for herself and just those few she loves.

Another grumble I had from the first novel The Hundred Thousand Kingdoms was that hardly any of those Kingdoms were shown, described or even named. Many more details about this innovative world emerge in book two. We learn that there were originally three continents (High North, Senm, and the Maroland). The Maroland (ancient home of the Maroneh and thus Oree's people's native land) was destroyed by Nahadoth at the behest of an Arameri during a rebellion. Details, such as those mentioned above, about this rich, diverse history of the many peoples in this world have allowed Jemisin to create a layered, intricate world, with unique and vivid customs ("triples" are slyly mentioned instead of couples, the Maroneh people "name their daughters for sorrow and their sons for rage"). Originality and innovative are the key words I would use to describe this book, series and author.

Just like the first one, there was no over-reliance on the magic of the world to move the plot forward or to solve all the problems faced.  The magic, though different types are introduced than the magic described in Yeine's story, is more of an accent to the story than the main point. In addition to Oree's "Sight", there is mention of "bone-bending" and "shadow-sending", among the displays of magic that other characters possess. The many and varying types of magic within this story are intriguing and creative, nicely showcasing Jemisin's unique type of fantasy. 


High marks across the board. A few things might need to be tweaked a bit, but Jemisin has clearly grown as an author since her beginning novel. The Broken Kingdoms continues the tradition proved in book one: these are excellent, entertaining and fresh fantasy novels from a vividly imaginative creator.

Review: The Hundred Thousand Kingdoms by N.K. Jemisin

Friday, June 17, 2011



Author: N.K. Jemisin
Genre: fantasy
Series: The Inheritance Trilogy #1
Pages: 320 (Nook format)
Published: February 2010
Source: bought
Rating: 4.5/5





In a setting worthy of Zelazny with its intricate and deadly familial intrigue, The Hundred Thousand Kingdoms was a more than pleasant surprise.  I expected a typical high fantasy novel: full of magic, scheming, unwitting heroines, dastardly but lovable rogues, you know, the whole usual bit. I think Patrick Rothfuss said it best about this novel when he said, "I have a great love of fantasy that does something a little different, and this book is a little different in a whole lot of ways." I got all that I expected and more, with twists and surprises I never saw coming. The entire novel, from the innovative world/political system to the mythological aspects of the Gods, was a well thought-out, superbly-executed, hugely entertaining-to-read first novel.

The story jumps right off from the first paragraph; we meet Yeine, our Darre protagonist immediately. This novel is much more about her inner struggle, or with her relations, than an epic war or battle; it's more personal and close. The first-person perspective is used very effectively with Yeine: I constantly felt like I was reading/speaking with her the entire time. The narrative is scattered and hesitant; a clever device as she's slowly remembering, constantly re-fitting this story as she's imparting it to the readers (Yeine even occasionally breaks the fourth wall and addresses the readers directly, but it's appropriate and works for the novel). Her style is very informal and as a "barbarian" of the High North, it fits. The first of many intriguing twists on fantasy cliches: Yeine is not white, nor of the ruling caste, and is from a barbaric matriarchal society. Instead she's described as "darkling" and is constantly reminded of her low status among her pale, cruel Amn relatives. 

A lot of themes are touches on throughout the novel. Race (and racism), gender, slavery and even religion are not shied away from. In a world where the ruling race is the pale-skinned  Amn, who in turn are truly controlled by a single large, monstrously cruel family (the Arameri, to which Yeine reluctantly belongs) who are regarded as the height of civilization while being the depth of depravity, the "barbarian" Yeine is actually the most humane. The Arameri do not allow slaves on their lands, yet they house four of the most enslaved creatures in existence. This was yet another twist of Jemisin's; this time on the fantasy cliche of a God's War or the Fall of Gods. Enslaved former Gods after the war among the The Three in which the Itempas won. For millennia, the Arameri have caged these expunged-from-history Gods as weapons to ensure their power and a gift from the winning side. There was Nahadoth, the Nightlord and his three surviving godling children Sieh, Kurue, and Zhakkarn. The mythology and origins of the Gods from the Maelstrom was creative and well-planned. 

There was almost an East-Asian feel to the atmosphere of the story. The Hundred Thousand Kingdoms certainly did not feel Eurocentric or written with the Western world in mind, though Yeine's homeland felt almost Amazonian in its ferocity and independence. This individuality in a time of many medieval-type fantasy novels was a another nice touch I appreciated: these creative ideas can make or break a novel. The novel felt fresh and new, unlike a familiar retread of a much-used storyline. There is no over-reliance on magic to solve the world's or even Yeine's problems; it's more cerebral than that. When the magic does come into play, it's restrained or deftly applied to the characters. <spoiler ahead> I thought that unwittingly possessing a part of a fallen Goddess's fractured soul was uniquely witty way to reinvent the young girl with immense but hidden power stereotype. </spoiler>


The only complaints I had were these: the love scenes between Yeine and Nahadoth. They were a little cringe-worthy and cliche; I think for the next book I'd like to see a little more finesse, perhaps more belief in a relationship before two people (Gods? Swirling masses?) hop into bed. I'd also like to see a wider view of these Hundred Thousand Kingdoms that the Arameri control. Only Sky, center of the Amn, is described at length, though even then only the nobles or privileged Amn are shown with any details.  Yeine's homeland Darr warranted an occasional mention and one visit, but that was nowhere near enough to sate my curiosity about the warrior-women society. 

The ending, though it what was expected even foretold throughout the novel, had quite the surprise attached to it. While completely concluding and resolving the stories and plots within this first novel, it managed to be the perfect cliffhanger for the next in the series (which I am starting immediately), The Broken Kingdoms.  


My cheap finds lately (sssssh): 

There've been quite a few fairytale retellings coming out of late and this week I stumbled upon Ember and Cat's Tale: A Fairytale Retold, both by Bettie Sharpe.  Here's the blurb for Ember (which is $.99 at Barnes and Noble and Amazon): 

"Everyone loves Prince Charming. They have to—he’s cursed. Every man must respect him. Every woman must desire him. One look, and all is lost.
Ember would rather carve out a piece of her soul than be enslaved by passions not her own. She turns to the dark arts to save her heart and becomes the one woman in the kingdom able to resist the Prince’s Charm.
Poor girl. If Ember had spent less time studying magic and more time studying human nature, she might have guessed that a man who gets everything and everyone he wants will come to want the one woman he cannot have.Warning: This story contains sex, violence, and naughty words. It’s based on a fairytale, but it isn’t for kids. .
"

And the blurb for Sharpe's Cat's Tale, which is all of $3.19 at Barnes and Noble and Amazon: 

"Once upon a time there was a scheming, lying tart who cared for nothing but her own pleasures and her shoe collection.

Once the peerlessly beautiful Lady Catriona, consort to the king, Cat's fortunes fall far when her aged husband dies. The king's wizard turns her into a cat and tries to drown her in the mill pond. Fortunately Cat is a clever survivor and enlists the help of Julian, the miller's youngest son, in her plan for revenge.
She originally sees Julian as a mere pawn for her plans to break her curse, but as they work together Cat comes to know and care for him. Even if the curse can be broken, can a good-hearted man love a woman who has been as vain and selfish as Cat??"


If you like steampunk (and really, you should), I happily found Steam and Sorcery by author Cindy Spencer Pape. I was pretty intrigued and bought it. Blurb right here:

 "Sir Merrick Hadrian hunts monsters, both human and supernatural. A Knight of the Order of the Round Table, his use of magick and the technologies of steam power have made him both respected and feared. But his considerable skills are useless in the face of his greatest challenge, guardianship of five unusual children. At a loss, Merrick enlists the aid of a governess.Miss Caroline Bristol is reluctant to work for a bachelor but she needs a position, and these former street children touch her heart. While she tends to break any mechanical device she touches, it never occurs to her that she might be something more than human. All she knows is that Merrick is the most dangerously attractive man she's ever met—and out of reach for a mere governess.When conspiracy threatens to blur the distinction between humans and monsters, Caroline and Merrick must join forces, and the fate of humanity hinges upon their combined skills of steam and sorcery..." 

It's only $4.79 right now on Barnes and Noble, and $4.61 on Amazon. If you end up liking that, the same author has a free novella out in the same series, The Gaslight Chronicles: Photograpghs and Phantoms. (Amazon) No blurb, but it is free and if you like the first, you'll probably enjoy it. I'll be sure to post my views later on this month.
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