Top Ten Young Adult Favorite Reads of 2011

This has been a good reading year for me. I managed to read 212 books, for a total of 75,768 pages. Only 22 of those 212 warranted a five star rating from me, and only 9 young adult novels were among those 22 and most are represented here in this list. I read more YA this year than I have since I was a teenager, and have fallen in love with the genre. I'm still a fantasy girl at heart (expect a Top Ten Fantasy list soon!) but I was largely very impressed with my YA selections this year.

The Top Ten:

1. Daughter of Smoke and Bone by Laini Taylor

I read and reviewed this gem only in September of this year, but boy did it make an impression. The first in a series to come, I have high hopes for this author and series!

From my review:

The story is striking and imaginative and unforgettable. Daughter of Smoke and Bone is a genre-blending exercise of win, unlike anything I have yet read. It's a new, charismatic spin on the angel/devil/seraphim/nephilim/chimaera theme, populated with real characters with actual personalities - relayed by dialogue and deed rather than an infodump. I loved the nicely tuned balance of action and wit, drama with imagination and wordbuilding on a grand-scale. When's book two out? I cannot and hope not to wait long for another installment in this spellbinding world.

2. The Book Thief by Markus Zusak

Though I just read this in December, The Book Thief is impossible not to add to this list. Affecting, poignant and utterly impossible to put down, this is one of the rare ones that deserves all the hype and acclaim it can garner. I was an absolute mess after finishing (only four hours after beginning!) but in that full-hearted way one feels after a really, really great book.

From the review:

This is a work of art in novel form, moving and poignant from  its start in 1939 to its all-too-soon finish. Zusak's portrayal of these stand-out characters (Liesel, Hans, RUDY) will linger long in your memory. Don't dismiss this novel out of hand as just "another YA", especially if you are an adult. This book will resonate with and affect you even if you're long gone from the dreaded teenage years.

You won't just passively read [The Book Thief]: you'll experience Liesel Meminger's world in all its horror and beauty. 

I can't recommend The Book Thief enough. If you take one recommendation from this blog at all this year, let it be this one.

3. Seraphina by Rachel Hartman

 

I have yet to write a review for this YA fantasy novel done almost perfectly. Seraphina has many of the dreaded staples of its genre hated by nonreaders: weird, foreign names, words with too many vowels or beginning with "q", and of course: dragons. What is so wonderful about this 2012 release is the unique and individual spin Seraphina puts on all these old, used-up tropes. Never old or boring, this is a fresh and lively addition to the fantasy ranks. Keep an eye out for my upocoming glowing review for its publication later in the year!

4. The Hunger Games by Suzanne Collins

Another great read I loved immensely that I've sadly failed to review, but hardly one that is hardly unknown. The Hunger Games series is a force to be reckoned with with movies on the way and numerous reprints and editiosns, and is an enjoyable trilogy. But of those three, the first novel is the strongest, and the obvious best. Katniss is at her best here, doing things and creating action, with Peeta there to provide am emotional outlet. The Hunger Games is shocking, engrossing and one of the best young-adult dystopians I've come across.

5. Graffiti Moon by Cath Crowley 

My first young-adult novel from a Down Under author and I was quite blown away by the authentic emotions, strong yet still likeable characters, and dynamic storytelling consistently present throughout Graffiti Moon. This is a moving novel that is nothing short of impressive. I was hooked immediately and never wanted the book to end.

From the review:

I didn't just read Aussie author Cath Crowley's novel - I inhaled it. I read the entire two hundred sixty seven page novel in just under a three hour period; I couldn't put it down to eat, play with the dogs or even move from my desk to the reading chair. It's gripping, consuming and alive in a way very few stories are - and more should be. I want to pull huge sections from the narrative to quote - my whole review would be quotes if I were clever enough. This is, simply put, a beautiful book - beautifully written, carried, developed and ended. Graffiti Moon is a young-adult novel that transcends the genre of its origin; all ages of readers who appreciate a deftly woven, compelling read would treasure this book. It's brilliantly descriptive and full of evocative and moving imagery. This book moved me.

6. Ultraviolet by R.J. Anderson

Ultraviolet is a great, great inceptive read. With an unreliable narrator and a truly interesting but completely real condition (synesthesia) Alison is a one-of-a-kind, original protagonist. She makes the book; strong, intelligent and relentless I wish more of my teenage female YA protagonists were more like her (though without the whole "did I murder someone or not" thing.) Twists and turns abound through the pages of this sci-fi mystery genre bender, and I need the sequel Quicksilver asap.

From the review:

This is a novel that more than lives up to its advertising byline: Everything You Know Is Wrong. But you'll only know the why and the how if you read this novel. Its got a unique premise, gorgeous prose, epic tons of quotes to love, and more than helluva twist more than recommend it.

7. Angelfall by Susan Ee

Yet another I've unfortunately yet to review, Angelfall is currently taking my GoodReads friends by storm. In my defense, I only heard of (and bought and read) this book mid-last week. I read it in two hours, and though it's relatively small at just 255 pages in ebook format, this is a GREAT novel. Angelfall gets so many things right that other authors miss, usually painfully: pacing, female action/fighting techniques, a gritty post-apocalyptic world, the romance angle, angels/nephilim, family interpersonal relationships.... all are handled ably and with a dab hand for imagery.

And one of the best parts about Angelfall? It's only $.99. Susan Ee is the first self-published author that has impressed me enough to wish she was traditionall published. I want my own hard copy of this delight and there none such as of yet. Buy this now, while you can get it cheap for Nook and Kindle. This is good. Buy it.

8. Lirael by Garth Nix

One of my first books reviewed for this very blog, I enjoyed Lirael far more than its predecessor and first in the series Sabriel. This is a smart and quite detailed YA supernatural novel with a very unique and creative magic system, first published way back in 2001, but one that hasn't aged a day.

 From the review:

Lively and absorbing, brimming with imagination and an utterly engaging plot. Suspense, sheer curiosity, genuine creepiness, unsettling creatures, along with unseen twists and turns make this a hard-to-put-down book. One of the best young-adult fantasy books I have ever read; better, even, than its predecessor Sabriel.I preferred Lirael as a protagonist compared to Sameth AND to Sabriel from the first book.

9. Abhorsen by Garth Nix

 Third and final book of the Abhorsen series and the second book of the trilogy to make this list (woo! what an accomplishment!;]), Abhorsen finalizes the strong trends and plots from the first two books. A fitting and very satisfactory ending to one of my favorite series, I was sad to end my reading but happy with the novel. This is a series for any fan of great female characters and unique, refreshing paranormal/supernatural aspects without vampires.

From the review:

This is a marvelous adventure. A great series with strong characters, a compelling plot and unique magic and creatures. Brilliant in all senses of the word. It is a  superb ending for an amazingly entertaining series; it deserves to be read. 

10. Drink, Slay, Love by Sarah Beth Durst 

I just had so much fun with this twisted little teenage vampire tale. Pearl is a vampire with no regrets: difficult, strident, rude, supercilious, and above all, amusing. She walks the fine line between aggravating and pure humor, and with the benefit of a unicorn and some escapes, she comes across easily on the amusing side. This is a book made of win and pure fun.

From the review:

The interesting set-up, the time-limit and unique proclivities of Pearl make the pace of this novel fly by. It's one of those books a reader picks up to peruse for a minute and is immediately lost within. I highly enjoyed this novel, and I think it will find love from a widely varied audience.
If you see it on a bookshelf in your near future, buy it, read it, love it.

Honorable Mentions:

The Iron Knight by Julie Kagawa (reviewed  here)

Anna and the French Kiss by Stephanie Perkins (reviewed here)

Before I Fall by Lauren Oliver (reviewed here)

The Demi-Monde: Winter by Rod Rees (reviewed here)

Dark Inside by Jeyn Roberts (reviewed here)

Darker Still by Leanna Renee Hieber (reviewed here)

Review: The Demi-Monde: Winter by Rod Rees

Title: The Demi-Monde: Winter

Author: Rod Rees

Genre: dystopia, science fiction, steampunk, fantasy, historical fiction

Series: The Demi-Monde Saga #1

Pages: 424 (Nook NetGalley ARC edition)

Published: expected December 2011
Source: publishers via NetGalley

Rating: 4/5

The Demi-Monde is the most advanced simulation ever devised. Thirty million people ruled by history’s cruellest tyrants, locked in eternal civil conflict. The intention: to create the closest thing to Hell, and prepare soldiers for the nightmarish environment of war.
But something has gone badly wrong. Reinhard Heydrich – or at least a simulacrum resembling the Nazi monster – has kidnapped the President’s daughter from the Real-World and concealed her within the Demi-Monde, making it impossible for the program to be switched off. This achieved, he has cut off all contact with reality.
It falls to Ella Thomas, a young jazz singer, to infiltrate Heydrich’s virtual domain and rescue the missing girl. But once inside she will discover that everything in the Demi-Monde is not as it seems, and that the Real-World may be in more danger than everyone outside realises.

Ambitious is the word best used to describe this melange of various genres, alternate realities, and mishmash of famous, reviled persons from across history.  Rod Rees has indeed created something very unique and quite wonderfully different with The Demi-Monde: Winter. As the first published part in a four-book saga about an alternate reality populated with "Dupes" or a cyber duplicate, of such nasties and reprobates as Henry VIII, Robespierre, Lucrezia Borgia, Shaka Zulu, Aleister Crowley and the main villain Reinhard Heydrich, engineer of the Nazi's "Final Solution", I have to admit this series is off to one hell of a start. This is a novel that will suck you in completely, as if you were a visitor to the Demi-Monde itself; it will envelop you wholly in its individual amount of awesome and flair.

The Demi-Monde, put most simply, is an immersive alternate reality created by the United States Army to better train its soldiers without actual harm (an 'Asymmetric Warfare Environment' or AWE), but still with plenty of threat. As a heuristic (aka self-teaching) program, The Demi-Monde is constantly evolving, changing system and at least TWO of the five will always, always be at war with one another. With five sectors (The Rookeries, The Coven, Rodina, Quartier Chaud, and NoirVille), each radically, racially and religiously opposed to the others, it is a place of constant war and pain. It's a delightfully steampunkian locale, with technology equivalent to the 1870's in our (real) world. With 30 million Dupes NowLive, created from actual human DNA, this is a populous, dangerous and utterly alien world. And with Dupes considered basically the same as real humans, with no real difference between them, these horrible people are doppelgangers/reincarnations of the most vile people to walk the earth. Another twist added onto the constant fractious nature of the sectors is the reliance on blood throughout the Demi-Monde. Without it, a Demi-Mondian won't last two weeks, so supply and deman dictate life. Yes, this is a cyber-reality full of Dupes that are vampires, though not in the paranomal-type way: the Dupes simply can't survive without the Red Gold. With such a scarce supply of real blood within the AWE, this is another element is used to keep the sectors constantly at the point of war/invasion. The blood supply for this world could even be seen as an allegory for the real world's attitude regarding oil.

You can't fault Rees for being inconsistent or not planning out in minute detail every aspect of this historical fiction/fantasy/steampunk/science fiction-ish-esque story. There's varying cultures, conflicting political parties, isolationist religions. . . any stressor involved in real life, real world strife has been thought of an represented in Rees' hell of a world. From the steampunk flair of "mutoscopes", "steam-limos", the ubiquitous gas-lights, the required mention of "aether", this was a genre that worked well for a recreated subreality/world, coupled with the additional touches from sci-fi and fantasy.  I do wish I had a better visual representation of the sectors, The Hub, Terror Incognita, etc. for the maps provided in the digital arc left a lot to be desired with their tiny type and indistinct markings. I never really got a picture in my head of the world itself, and better maps would remedy such an easy fix. While the constant influx of information and data just on the Demi-Monde itself, it can get a bit old but it's also so interesting. I fully admit to googling random side characters mentioned by others just to see who they were (are?), and just what they did to merit a doppelganger in a cyber-reality populated with humanity's worst vermin.

I loved the Demi-Monde and all the possibilites it brought for Rod Rees' story but I didn't love all about this tome of a novel. New, invented terms and acronyms are constantly tossed at the reader, from the first page. While it's usually quite easy to figure out the modern-equivalent of what the Demi-Mondians are saying/doing, it's disruptive in the initial part of the novel. Another aspect of the style itself I grew VERY wear of: the random capitializations. Rees will also often subvert a word or saying from the Real World for his Demi-Monde and the results are like this: LessBienism (lesbianism), RaTionalist, nuJus (new Jews), woeMen, etc. Between that and the overdone acronyms (TRUE, ABBA, PINC, AWE) it hampered the story. What started out as a clever but subversive homage to the messed up real world became a schtick to mask a non-advancing plot. It was a bit, "Here, look at all these clever observations I've made and incorporated! Pay no attention to the man behind the curtain stagnating characters and plotlines."  The story itself is told is a very direct and almost simple style, switching from the lives of Ella, rebel Trixie, Trixie's father Dashwood and (my personal favorite character) a Russian colonel named Vanka Maykov.

Ella herself is a bit of an issue for me. As part of "Operation Offbeat" to rescue Norma, the President's daughter somehow caught within the AWE, I wanted to like her. I wanted to enjoy her dark humor, sarcasm and muse into her obviously troubled personal history. It's just hard to feel a genuine rapport with this woman, for me personally. I also thought her intelligence fluctuated strangely: she says she is the top of her class, best SATs, but doesn't know basic world knowledge? She meets Colonel Ivan Ivanovich and doesn't realize he's a Russian? It was random, and weird. I didn't really "get" any of the females of this novel: Norma and Trixie also fall short of my favorites list As for Ella, I  definitely liked that she wasn't a general, cliched white female - she's a tough, smart African American young-woman, who is supposed to be the top of her class. Too much of Ella's plot and actions revolved around every Dupe man in the Demi-Monde finding her abnormally, irresistibly attractive, so much so that they are distracted from, say, torturing her. I'm sorry, but especially with white supremacists doing the torturing, the villains are not going to be conveniently distracted by a nice ankle, or a muscled thigh. I also got SO SICK of hearing her own incredulity at using expletives. I stopped counting the instances after the fourth one, but that needs to go, QUICK. The only time I really enjoyed Ella was in her scenes with the amusing Colonel Maykov... and that's more to do with the fake psychic than the Shade PsyChick. 

As for Trixie Dashwood, former Lady of the royal regime, now enmeshed within the Demi-Mondians white supremacist version of the Third Reich (the ForthRight as it's called) she's constantly in danger. Trixie is a hard-headed and hard-hearted young-woman. Between her, Ella and Norma three different types of woman are portrayed (seductress/rescuer, wimp/whiner/rescuee, cold/closed off) and I didn't love a single one. Trixie is just too much: too much anger, too much selfishness, too much action and no thought. Ella, by far comes the closest, but in this world of EXTREME character arcs, she remains far from a favorite. SPOILER AHEAD STOP NOW! Ella's development from "jad" singer to rescuer to Messiah? Really? I can't say I predicted that at all, but that's a risky and inventive move to take for a (female) character. END SPOILER. I can buy Trixie's revolutionary bent, but her abrupt and entirely unreal switch from proto-RaTionalist Lady to Commander of a militia? In days? With Trixie "[knowing] exactly what had to be done" for an entire military camp? I. Do. Not. Think. So. I call shenanigans, Mr. Rees. That is too far-fetched for a steampunk alternate reality inside a computer with murderous villains from across the ages. But even there, Trixie's evolution does not stop. Slight spoiler ahead: her eventual (and honestly, quite disheartening), bloodthirsty command turns her into something murderous and terrible, something not very far from the SS themselves. Rees does a subtle but effective job of pointing out that fighting fire with fire will sometimes turn you into what you fight. I had to admit that besides a certain charming, scheming Russkie named Maykov, it was the side, bit-players that I enjoyed the most: Louffie, Roza (LOVED HER), Dabrowski. I also quite liked Trixie's sneaky but smart father, the former Baron Dashwood and wished he'd had a bit more time to operate on the page/within the Demi-Monde itself. He sadly was the most underutilized of all the players.

The Demi-Monde: Winter is a lot of book. With plotlines that seem to tie together seamlessly and lead to a satisfying and thoroughly original read, I can't not recommend this novel. One of those rare books where antagonists both outnumber and outclass their counterparts, this was one I both didn't want to finish while simultaneously wishing I had the sequel, The Demi-Monde: Spring, in my hands as soon as I closed the cover, metaphorically speaking. Yes, there are a lot of uncomfortable themes about race, religion, politics, women - but they're all handled with aplomb and finesse and I wasn't off-put by them. The ending doled out some much-needed information, while offering unforeseen complications, a few answers and a burning desire to read the second as soon as humanly possible.