Review: Mariana by Susanna Kearsley

Tuesday, April 10, 2012
Title: Mariana
Genre: historical fiction, time travel
Series: N/A
Pages: 374 (Nook ARC edition)
Published: first 1994, republished April 2012
Source: publishers via NetGalley
Rating: 4/5
The first time Julia Beckett saw Greywethers she was only five, but she knew at once that it was her house. Now, twenty-five years later, by some strange chance, she has just become the new owner of the sixteenth-century Wilshire farmhouse. But Julia soon begins to suspect that more than coincidence has brought her there. As if Greywethers were a porthal between worlds, she finds herself abruptly transported back in time. 

Stepping into seventeenth-century England, Julia becomes Mariana, a beautiful young woman struggling against danger and treachery, and battling a forbidden love for Richard de Mornay, handsome forebear of the present squire of Crofton Hall. Each time Julia travels back, she becomes more enthralled with the past, falling ever deeper in love with Richard...until one day she realizes Mariana's life threatens to eclipse her own--and that she must find a way to lay the past to rest, or risk losing a chance for love in her own time.

This was very, very good. I was surprised by the level of my reaction to this: I was invested near immediately never wanted to put it down and was sad to finish reading the last page. I don't read a lot of "time slip" historical fiction (read: any before this), but if they're like Mariana that rule might need to change. ASAP. First up on that list: every other such book by this author. I was very impressed with both parts of the narrative and the strength of the voice shown throughout the novel. Though Mariana is a bit lengthy at near 375 pages,  this suspenseful and affecting tale never bores. For a detailed, immersive read but not one that is exactly an action-packed historical, that is saying something indeed.

The strength of the book largely lies in the eponymous character Mariana - both in her 1660's body/life of Mariana and as more modern Julia Beckett. That's not to say that the rest of the characters aren't interesting and diverse; they are but it is Mariana herself who makes the novel special. Though the two POV's present are both first-person and both largely the same in tone and voice despite the centuries between them, both Julia and Mariana are fully dimensional, rounded characters who provide a rich, full narrative to dive into. She's charming and detailed as a narrator: Exbury, both past and present versions, definitely carried the feel of an old, full-of-history English village. Though there is quite a lot of focus on the romance angle of the novel, I wasn't turned off or frustrated; Mariana's and Richard's courtship is actually quite charming and I found myself rooting for de Mornay and the spirited commoner.

This paragraph might get a bit SPOILERy so be warned and stay away if you don't want to know! Seriously, people. There's a mystery at the heart of the novel, but it's not the most involving or mystifying. Even the secondary subplot of treason lacks the emotional pull of the characters themselves; this is truly a character-driven novel. Even some of the surprises lacked the oomph that could be expected -(Johnnie! D: John?!) </SPOILER> because I was so keyed in on the main characters of Mariana/Julia and Richard/?? themselves. I have to side with Julia in that the past has a lot of allure here in this version, and her attraction to Richard it is very understandable. Love, destiny and fate all play a key parts in the meanderig plot, and the characters but it doesn't feel forced or hackneyed. Mariana comes off with a sweet but not saccharine aftertaste. I did think the camouflaging of Richard's soul was well done - only the hints of Shakespeare really made me sure. 

Mariana is an engrossing and rewarding, lengthy read - fans of time-slip historicals will love and even new-to-the-subgrenre people will find a lot to enjoy about this alternate 1660's and modern of reincarnated love. Susanna Kearsley is an impressive and detailed storyteller - I look forward to reading more of her books very soon. This is one that went above and beyond any and all expectations I had before starting.

Review: Thomas World by Richard Cox

Monday, April 9, 2012
Author: Richard Cox
Genre: Science fiction
Series: N/A
Pages: 396 (ARC edition)
Published: August 2011
Source: ARC for review which in no way affected the views expressed
Rating: 3.5/5

Thomas Phillips knows he''s losing his mind. He''s been losing it for as long as he can remember. And yet, when a strange old man asks him to consider that he, out of everyone in the world, knows the real truth, Thomas'' life begins to spiral out of control. He loses interest in his job and is fired. He refuses his wife''s suggestion of psychiatric care, and she leaves him. In the end, Thomas is alone. Except he's not, because someone seems to be following him. What if you were Thomas? Where would you go? What would you do? What if you realized every person in your life had been scripted to be there? What if you were haunted by the idea that you'd lived all these encounters before, hundreds or even thousands of times before? And what if the person watching all this time was you? Thomas World explores what happens when the borders of reality start seeming a bit pores... when things start bleeding through the edges, challenging ones perceptions of the universe. The grand tradition of Dickian, New Wave SF is explored by Richard Cox in this 21st century thriller.

Have you ever found yourself wondering if your life was planned? Ever expect to open up a book by some strange author you've never heard of and see your life embedded there in the pages? Or, maybe you've even read of characters that it seems you've met on the streets, and as you follow them through their fictional world, you can almost feel every hurt or joy they experience. You wonder if they're out there, somehow, living this life you are reading. This work of Richard Cox may speak strongly to you, then. Here in Thomas World, he has a created a voice that may whisper creepy things to you days after you have finished this book.

Thomas Phillips is slowly going insane. Unable to trust his own perceptions, he loses everything--his job, his wife, his work--and finds himself less and less sure of anything. But the truth is buried under layers of instability and imbalance, and Thomas has to dig dangerously deep to find the path to understanding. Drawing partially on the literature of Philip K. Dick, author Richard Cox manages to create a creepy, original story that is not a cheap Dick regurgitation. While he shamelessly points to Dick as inspiration (indeed, Dick is even a character), Cox uses the work of Dick as a springboard into a new, relevant adventure.
At first, Thomas World reads a bit like following a declining schizophrenic. As a reader, it's easy to find yourself thinking that the character of Thomas Phillips belongs in the mental institution, and that's that. Cox's portrayal of schizophrenia is scarily spot-on, even though Thomas' problems obviously go quite a bit deeper than that. About halfway through the novel, author Cox pulls out all the stops and twists the story in a way which Dick would definitely appreciate. There's paranoia and strangeness to spare, sure, but is Thomas Phillips truly insane? You'll find yourself reexamining your own perceptions of the world as he tries to figure out what is causing his own world to unravel.

For fans of Philip K. Dick and/or conspiracy theories, this book is sure to impress. For others, though, disbelief is difficult to suspend entirely. Not knowing the truth until the very end of the book, it can be difficult for the average reader to buy the premise. However, the ending does wrap it up neatly, and as it turns out, in a way that is not totally improbable.

Some interesting philosophical points are also brought up throughout the story, making Thomas World a nice little piece of brain candy for anybody interested in the nature of reality and perception... or a way to screw with their brains for an enjoyable evening of reading.

Review: Kill Me Softly by Sarah Cross

Friday, April 6, 2012
Author: Sarah Cross
Genre: mythic fiction and fairy tale retellings, young-adult
Series: Untitled #1
Pages: 336 (Nook ARC edition)
Published: April 10, 2012
Source: publishers via NetGalley
Rating: 4.5/5

True love’s kiss just may prove deadly….

Mirabelle’s past is shrouded in secrecy, from her parents’ tragic deaths to her guardians’ half-truths about why she can’t return to her birthplace, Beau Rivage. Desperate to see the town, Mira runs away a week before her sixteenth birthday—and discovers a world she never could have imagined.

In Beau Rivage, nothing is what it seems—the strangely pale girl with a morbid interest in apples, the obnoxious playboy who’s a beast to everyone he meets, and the chivalrous guy who has a thing for damsels in distress. Here, fairy tales come to life, curses are awakened, and ancient stories are played out again and again.
But fairy tales aren’t pretty things, and they don’t always end in happily ever after. Mira has a role to play, a fairy-tale destiny to embrace or resist. As she struggles to take control of her fate, Mira is drawn into the lives of two brothers with fairy-tale curses of their own … brothers who share a dark secret. And she’ll find that love, just like fairy tales, can have sharp edges and hidden thorns.

This is one of those surprising books that went above and beyond my expectations; in fact, I passed this over a couple times on NetGalley because it seemed so been there, done that at first glance and I've been trying to control the amount of requests I make there. Then, pretty much the next week reviews on GoodReads started popping up - 4 stars, 4.5 stars, 5 stars - and who am I to fight the tide? I learned my lesson around December when the same sort of thing started happening with another book that I initially dismissed and which ended up becoming immensely popular (coughAngelfallcough). So with this I didn't hesitate; the day of reading those reviews, I downloaded and began my journey to Beau Rivage, Sarah Cross's imagination and quite possibly some of my favorite fairy tale retellings ever in Kill Me Softly.

To put it the most succinctly, Kill Me Softly is charming, clever and just plain fun. There's a lot to enjoy from this book - a fairly feisty heroine, a unique angle on fairytales in a modern-day scenario, and the clever allusions and asides to popular tales we know and love. I have to admit, the darker and more unsettling this novel became, the more and more I loved it. Kill Me Softly is most definitely at its best when it takes an unexpected, usually foreboding, turn, or reveals a truth very cleverly hidden behind the author's sleight of hand. Sarah Cross is quite adept, more than adept really, at setting the perfect scene and atmosphere for her cursed characters to populate and on occasion, I was really struck by the imagery in her words. I don't want to get spoilery since there's secrets and curses and mysteries aplenty to uncover and figure out, so I will just say that Sarah Cross finds a way to make both a love triangle between brothers and extreme instalove palatable.

Another aspect of this that I greatly appreciated was the author's tendency to show her fairy-tale world within a world and its rules, and instead let them evolve naturally rather than line them all out in an introductory info-dump. Sure, for a while the curses and Blue don't make a lot of sense, but given time and attention, the details emerge. Kill Me Softly is a very readable and quickly engrossing book - the kind you pick up for a chapter and somehow emerge 97 pages and several very interesting plot-twists later. There are double meanings and hints staring out at you from the page that slowly click and make a bigger picture - several times I wanted to hit my forehead and say "duh! Of course..." The author excels at providing the reader with clues and hints but not spelling out the answers desired. I won't go so far to say Kill Me Softy is perfect, but it is damn near close, and only a few slight quibbles keep it from making it to my best-of-2012 shelves. 

I found the final (? temporary?) conflict with the main antagonist left me feeling rather underwhelmed. It takes Mira so long to clue in and then it's kind of... over in a flash and without much depth. There are sequels/companion novels confirmed to be written so I am sure the villain will reappear along the line but I wish the entire plotline of Kill Me Softly had been resolved in one novel. I vehemently support the idea of a sequel for another character from the fascinating world of Beau Rivage; I wouldn't be nearly as enthused for a return to Mira's plotline from the first/launching point of the series.

Review: Somewhere Beneath Those Waves by Sarah Monette

Thursday, April 5, 2012
Genre: short stories, fantasy, science fiction, horror
Series: N/A
Pages: 331 (paperback edition)
Published: November 2011
Source: purchased
Rating: 3/5

The first non-themed collection of critically acclaimed author Sarah Monette’s best short fiction. To paraphrase Hugo-award winner Elizabeth Bear’s introduction: “Monette’s prose is lapidary, her ideas are fantastical and chilling. She has studied the craft of fantastic fiction from the pens of masters and mistresses of the genre. She is a poet of the awkward and the uncertain, exalter of the outcast, the outre, and the downright weird. There is nothing else quite like Sarah Monette’s fiction.”



I picked up this lovely book by Sarah Monette because I've read her Doctrine of Labyrinth series as well as A Companion to Wolves (with Elizabeth Bear.) She has a very lyrical style without getting too bogged down in the description. And she loves to write about queer characters. Her characters also tend to have an Otherness to them that I can identify with.

This collection grows in strength as it continues. One of the things that I disliked about the stories is that Monette's heroes and heroines didn't make the decisions I would have. They let the ills of life wash over them and just accepted their fates. The characters, and therefore stories, I liked most were the ones who showed inner strength in the face of adversity. Some crumpled up, said no to true love, let The One walk away... and I didn't enjoy those stories, which is why this collection is rated a 3.5 even though the last few stories were very strong.

Some favorites:

A Light in Troy- dark tone, sad story... but at the end of the day even the conquerors are human and this story shows how it's possible to move on from losing everything.

No Man's Land- interestingly enough, one of her darker stories in the collection. But dark in the way I like it. Without revealing too much, let's just say it's a war story and an identity story with a bit of irony thrown in.

A Night in Electric Squidland/ Impostors- she says she has more stories in her head about these guys, and I hope she writes them. A paranormal investigation duo working together? Yeah, we've seen hundreds of those. But these guys have a certain je ne sais quoi together that really makes them fun to read about.

After the Dragon - a girl gets a new lease on life after she realizes that, for better or worse, she can't be what she was before. But maybe that's a good thing.

I wanted to like Three Letters from the Queen of Elfland, but instead it became one of my least favorites of the collection. This is part of what I alluded to above and I'm not going to spoil. It's an amazing story up until the end.

Overall, Monette impressed me, partially by making the stories stronger as I read. I would recommend this to someone who already likes her writing, or to someone who likes bittersweet, cross-genre stuff. 


 

Extra-Large Blog Watch Wednesday & Planned Reads for April

Wednesday, April 4, 2012
Reviews Posted:


Struck by Jennifer Bosworth - young-adult, post-apocalyptic, dystopia - 3.5/5

Wonder Show by Hannah Barnaby - young-adult, historical fiction - 4/5 stars

Long Lankin by Lindsey Barraclough - mythic fiction and retellings, young-adult, creeeeepy - 4/5 stars

The Cranes Dance by Meg Howrey - general fiction, dance, contemporary - 3.75/5 stars

Me and Earl and the Dying Girl by Jesse Andrews - young-adult, contemporary - 4/5 stars


Fun Stuff:

I have a lot of Game of Thrones and Hunger Games stuff, so I'm going to have those in marked sections for those who would like to skip either to, or over.

The Power of Young Adult Fiction. This is a lovely article.

This is FANTASTIC. A great visualization/demonstration of the distance between the Earth and the Sun.

35 Historical Doppelgangers. I love stuff like this.
From Bookriot:

This is interesting: pie charts/spread sheets showing how often the phrase "[xxx]'s Daughter" is used for novel titles.

Fashion site Go Fug Yourself just concluded their Fug Madness championship for the sartorially disabled and the winner is...

This artist is absolutely incredible. He camouflages himself within a real-life place. It's crazy.


This will be a book to watch and love - check out the book trailer for Shadow and Bone.

 Jared Padalecki, of Supernatural fame, and his wife, recently had a baby boy. In lieu of gifts they promised to match the donation from their fans to St. Jude's Research Hospital. $20,000 was the overall goal ($10,000 fans and $10,000 from the couple) - but the total stands at over $80,000. Wow - that's 403% of the goal.

From Cracked:


GAME OF THRONES LINKS:

Hey did you hear? HBO's Game of Thrones is back - in a big, big way. 

This is an excellent recap/review/rehash from EwaSr about S2E1 - "The North Remembers."

Also from Ewa - In Defense of Sansa Stark.

George R. R. Martin reads 8 minutes from The Winds of Winter.

Check out HBO promotional department's House-specific videos - to which noble family do you belong? I'm a Targaryen Stark.

 The Best of Tyrion Lannister (so far). The 'cheekbones' comment is worthy of a mention now/addition.

Apparently, this is going to be a yearly thing. The NYT talks out it's ass about Game of Thrones. DUDES. Get a new reviewer - someone who actually enjoys tv, maybe?
One of the TUMBLRS of the WEEK: Arrested Westeros - quotes from Arrested Development applied to scenes from Game of Thrones. It both works and is hilarrrious, provided you enjoy both shows.

TOR's April Fool's Day joke amused me: "Entire season 2 of Game of Thrones leaked"

The best pop culture mashups featuring Game of Thrones.

 The 15 Best Bitchfaces of Prince Joffrey, Tv's Most Loathsome Little Shit

HUNGER GAMES LINKS

The other TUMBLR OF THE WEEK: They volunteer. Amusing situations using Katniss's "I volunteer" as a GIF.

This movie also had the third biggest opening of all-time - notably the only one not a sequel or franchise.




Haha! The Hunger Games as directed by other, famous directors. I think the Peter Jackson version is my favorite.

This was a thoughtful read. The power of young female readers, as shown by The Hunger Games success.

Planned Reads (so far):


The Immortal Rules by Julie Kagawa

In a future world, vampires reign. Humans are blood cattle. And one girl will search for the key to save humanity.

Allison Sekemoto survives in the Fringe, the outermost circle of a vampire city. By day, she and her crew scavenge for food. By night, any one of them could be eaten.

Some days, all that drives Allie is her hatred of them. The vampires who keep humans as blood cattle. Until the night Allie herself is attacked—and given the ultimate choice. Die… or become one of the monsters.

Faced with her own mortality, Allie becomes what she despises most. To survive, she must learn the rules of being immortal, including the most important: go long enough without human blood, and you will go mad.

Then Allie is forced to flee into the unknown, outside her city walls. There she joins a ragged band of humans who are seeking a legend—a possible cure to the disease that killed off most of humankind and created the rabids, the mindless creatures who threaten humans and vampires alike.

But it isn't easy to pass for human. Especially not around Zeke, who might see past the monster inside her. And Allie soon must decide what—and who—is worth dying for.

Kill Me Softly by Sarah Cross



True love’s kiss just may prove deadly….

Mirabelle’s past is shrouded in secrecy, from her parents’ tragic deaths to her guardians’ half-truths about why she can’t return to her birthplace, Beau Rivage. Desperate to see the town, Mira runs away a week before her sixteenth birthday—and discovers a world she never could have imagined.

In Beau Rivage, nothing is what it seems—the strangely pale girl with a morbid interest in apples, the obnoxious playboy who’s a beast to everyone he meets, and the chivalrous guy who has a thing for damsels in distress. Here, fairy tales come to life, curses are awakened, and ancient stories are played out again and again.

But fairy tales aren’t pretty things, and they don’t always end in happily ever after. Mira has a role to play, a fairy-tale destiny to embrace or resist. As she struggles to take control of her fate, Mira is drawn into the lives of two brothers with fairy-tale curses of their own … brothers who share a dark secret. And she’ll find that love, just like fairy tales, can have sharp edges and hidden thorns.

Dead Reckoning by Mercedes Lackey and Rosemary Edghill


Jett is a girl disguised as a boy, living as a gambler in the old West as she searches for her long-lost brother. Honoria Gibbons is a smart, self-sufficient young woman who also happens to be a fabulous inventor. Both young women travel the prairie alone – until they are brought together by a zombie invasion! As Jett and Honoria investigate, they soon learn that these zombies aren’t rising from the dead of their own accord … but who would want an undead army? And why? This gunslinging, hair-raising, zombie western mashup is perfect for fans of Cowboys vs. Aliens and Pride & Prejudice & Zombies.






 

Innocent Darkness by Suzanne Lazear

A steampunk faerie tale with romance, danger, and a strong-willed heroine.


When spirited sixteen-year-old Noli Braddock and her best friend Steven "V" Darrow take a flying car out for a joyride, neither expects Noli to be sent to reform school to mend her hoyden ways. While at the dreadful school, Noli's innocent mid-summer's eve wish summons Kevighn, a mysterious man who takes Noli with him to the Realm of Faerie. At first Noli believes she has been rescued. But the sinister reason behind the handsome huntsman's appearance quickly become clear--he wants to use Noli as a blood sacrifice to restore his dying world. V, who has secrets of his own, shows up to help Noli escape and return to the mortal realm--but first, they must navigate the dangerous intrigues of the Otherworld.
If they are successful, Noli will live.

But if Noli lives, the entire Otherworld civilization will die.

Bridge of Scarlet Leaves by Kristina McMorris (also known as  Every Time We Say Goodbye)


From the award-winning author of Letters from Home comes a poignant novel of love and courage, set against one of the most controversial episodes in American history: the aftermath of the bombing of Pearl Harbor.
 
Los Angeles, 1941. Violinist Maddie Kern's life seemed destined to unfold with the predictable elegance of a Bach concerto. Then she fell in love with Lane Moritomo. Her brother's best friend, Lane is the handsome, ambitious son of Japanese immigrants. Maddie was prepared for disapproval from their families, but when Pearl Harbor is bombed the day after she and Lane elope, the full force of their decision becomes apparent. In the eyes of a fearful nation, Lane is no longer just an outsider, but an enemy.
When her husband is interned at a war relocation camp, Maddie follows, sacrificing her Juilliard ambitions. Behind barbed wire, tension simmers and the line between patriot and traitor blurs. As Maddie strives for the hard-won acceptance of her new family, Lane risks everything to prove his allegiance to America, at tremendous cost.

Afterwards by Rosamund Lupton
 
There is a fire and they are in there. They are in there...

Black smoke stains a summer blue sky. A school is on fire. And one mother, Grace, sees the smoke and rush. She knows her teenage daughter Jenny is inside. She runs into the burning building to rescue her.

Afterwards Grace must find the identity of the arsonist and protect her children from the person who's still intent on destroying them. Afterwards, she must fight the limits of her physical strength and discover the limitlessness of love.










The untold story of the extraordinary queen who championed Joan of Arc.

Politically astute, ambitious, and beautiful, Yolande of Aragon, queen of Sicily, was one of the most powerful women of the Middle Ages. Caught in the complex dynastic battle of the Hundred Years War, Yolande championed the dauphin's cause against the forces of England and Burgundy, drawing on her savvy, her statecraft, and her intimate network of spies. But the enemy seemed invincible. Just as French hopes dimmed, an astonishingly courageous young woman named Joan of Arc arrived from the farthest recesses of the kingdom, claiming she carried a divine message-a message that would change the course of history and ultimately lead to the coronation of Charles VII and the triumph of France.

Now, on the six hundredth anniversary of the birth of Joan of Arc, this fascinating book explores the relationship between these two remarkable women, and deepens our understanding of this dramatic period in history. How did an illiterate peasant girl gain access to the future king of France, earn his trust, and ultimately lead his forces into battle? Was it only the hand of God that moved Joan of Arc-or was it also Yolande of Aragon?

Review: Me and Earl and the Dying Girl by Jesse Andrews

Tuesday, April 3, 2012
Author: Jesse Andrews
Genre: contemporary, young-adult fiction
Series: N/A
Pages: 304 (Nook ARC edition)
Published: April 2012
Source: publishers via NetGalley
Rating: 4.25/5

Greg Gaines is the last master of high school espionage, able to disappear at will into any social environment. He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics. 

Until Greg's mother forces him to rekindle his childhood friendship with Rachel. Rachel has been diagnosed with leukemia - cue extreme adolescent awkwardness - but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives. 


And all at once Greg must abandon invisibility and stand in the spotlight.

Oh wow, did this book entertain me. I mean, really, really entertain me - I giggled, then I laughed out loud, and then I laugh-snorted; this book is impossible to resist. This book and the unique blend of humor and pain contained within is charming, odd, gross and wholly readable, though it does have a few flaws. This is three hundred pages of pure, unadulterated teenage boy; main character and star of the show Greg S. Gaines ventures from beyond being a mere figment of the imagination into a three-dimensional, occasionally rude, person. Both characters and the humor are the most noteworthy aspects of Me and Earl and the Dying Girl, and while this is indeed a dreaded "cancer" book, this is nothing like the Nicholas Sparks brand of the same. As Greg himself so succinctly put it: "This book contains precisely zero Important Life Lessons, or Little-Known Facts About Love, or sappy, tear-jerking Moments When We Knew We Had Left Our Childhood Behind for Good, or whatever. And, unlike most books in which a girl gets cancer, there are definitely no sugary paradoxical single-sentence-paragraphs that you're supposed to are deep because they're in italics."

Right away, readers will know how they feel about the main character: they will love him and root for him through his foibles or they'll dislike him and his immature brand of humor. His voice is fresh and very observant and absolutely without a filter. While I personally clearly found Greg to be more than lol-worthy, I also felt a lot of pity for the kid. I like that he's a conflicted character; he struggles with friendship and death but grows as a person while doing so over the course of the book. At the beginning of the novel, Greg avoids any kind of associations, friendships because he is so scared of what anyone else might think of him - and has done for years. He describes himself as an adept at "high school espionage" but all I saw was a sad, lonely kid that isolates himself on purpose from others, so he can say his constant state of aloneness is what he wanted. He's so insecure he doesn't trust other people to like him - hence the reliance on Earl for years, and the lack of any real connection even between them.

Earl and Rachel are the side characters, the background characters to Greg's star, but they are the heart of the novel. They are what kept me invested after I was worn out on gross-out humor and Greg's issues. While Greg worms his way in with awkwardness and the aforementioned off-note humor, Earl's brash attitude and no-nonsense approach to life, home, and family quickly endeared him to me. Earl and Greg complemented each other quite well; neither has a solid set of social skills so their unlikely pairing was authentic and believable. I also have to applaud the author for not taking the easy and quite popular route with Greg's family - they're a varied, lively, engrossing bunch and it is always, always rare and refreshing to read a loving family environment in the young-adult genre. Rachel, the "dying girl" of the title was far more remote for the three hundred pages; she's not accessible like Greg who jokes his feelings, or Earl who has a face for every emotion. She's more unknowable, to both the reader and to the boys and that's one of the things that makes her situation so sad and compelling to read.

The style of the novel is fairly simple - it's Greg narrating his life over the last few months with Earl and Rachel. What's interesting about the book is that instead of regular novel format, is (1) Me and Earl and the Dying Girl will occasionally sift into a screenplay format and (2) It occasionally reads like Greg himself is breaking the fourth wall and actually addressing his audience, i.e. the reader themself. While the second part is cleared up til later (and I am not going to spoil it for new readers) I thought the switch between formats was a very clever way to illustrate how important film is to Greg; it's how he usually expresses himself so that was a very nice touch on the part of the author's. Obviously, there's not much traditional about the structure of this book, but that works quite well for how Greg narrates. I also appreciate that the cover looks like a reel from an old film - it ties in very nicely with the plot and the most important movie that Gaines/Williams will make: Rachel the Film.

As in life, so with books: all good things must come to an end. Greg Gaines, like many high school boys I know/knew, just doesn't know when to call it good on a joke. He never quits with the asides and deflections - not even when it seems to be time to do so.  This book often surprised me with its unique brand of humor, but after a while, certain jokes and gags wore out their welcome. I started to want more reaction from Greg than a quick quip or an elaborate riff on... alien barf or Gross-Out Mode. Everything in proportion is better and if the humor had eased up more towards the end and y'know, the emotional part, this quite likely would've been a 5-star read. 

Despite the oversaturation of gags and humorous awkwardness, Me and Earl and the Dying Girl is a winner. It's a nice palate cleanser of a cancer book - it's emotional and affecting but not in the saccharine and overproduced ways so popular among most cancer books - the goal here is to make you laugh, not to make you cry.

Review: The Cranes Dance by Meg Howrey

Monday, April 2, 2012
Author: Meg Howrey
Genre: contemporary, general fiction
Series: N/A
Pages: 386 (Nook ARC edition)
Published: expected May 15, 2012
Source: publishers via NetGalley
Rating: 3.75/5

 I threw my neck out in the middle of Swan Lake last night.
So begins the tale of Kate Crane, a soloist in a celebrated New York City ballet company who is struggling to keep her place in a very demanding world. At every turn she is haunted by her close relationship with her younger sister, Gwen, a fellow company dancer whose career quickly surpassed Kate’s, but who has recently suffered a breakdown and returned home.

Alone for the first time in her life, Kate is anxious and full of guilt about the role she may have played in her sister’s collapse.  As we follow her on an insider tour of rehearsals, performances, and partners onstage and off, she confronts the tangle of love, jealousy, pride, and obsession that are beginning to fracture her own sanity. Funny, dark, intimate, and unflinchingly honest, The Cranes Dance is a book that pulls back the curtains to reveal the private lives of dancers and explores the complicated bond between sisters.

Are all ballerinas crazy? Or at least the ones being published in both YA and general adult literature? After having read the young-adult Various Positions and the more adult-centric The Cranes Dance, I have to say that all signs point to yes. Done exquisitely and ubiquitously in the 2011 movie The Black Swan, each subsequent ballet novel I've read has had a character that danced the knife of madness, talent and.....dance. (Various Positions's Georgia might argue the point, but trust me, I think she was crazy as a maypole..) The Cranes Dance is the slightly long-winded story of ballerina Kate Crane and her sister Gwen, also a ballerina in the same company in New York. This ended up being a lot more than expected - there's humor and warmth but also mental illness, drug abuse, self-harm and family issues. While some things weren't executed as fully as they could have been or ended up dragging on too long, this ended up surprising me with its honest emotion. This one came so close to a 4-star read, but it was slightly too long. I also really like that the title works on multiple levels: there is an actual Cranes Dance (thanks Wendy) but it also refers to the elaborate and intricate give-and-take between the two talented sisters.

Dancers may all be crazy in fiction, but they're not all as funny as Kate. My sense of humor must be similarly twisted because what Kate found funny, I found funny. This is a mixed-bag of a novel: there's some genuinely funny humor, darkness and even drug abuse - the book definitely isn't afraid to venture under the pretty makeup and leotards. I liked Kate immediately (though she did use "retarded" as a negative insult once..); her voice is fresh, lively and pretty damn amusing.... when the book beings. By about page 275, Kate's appeal had begun to break down. As the blurb suggests, Kate's hold on life and sanity waxes and wanes, and for a while things gotta kinda dull and preachy. Kate is a complex character and at least I can say she's never stagnant as a character. This is definitely not a plot-driven book (plot? what plot?) so the strength must rest on its characters, namely its principle and sole POV. Kate mostly holds up under the strain, and if this had been slightly less long, I doubt I would've been bored at all by her stream of thoughts- but I can only read so much about dance and worry and Gwen and life and rehearsal before something new/different needs to happen.

The author evidently spent a lot of time putting this together. I'm not a dancer and never have been, but the details supplied in The Cranes Dance for the ballets and choreography are minute. I didn't mind because the author doesn't get lost in the ballet aspect but keeps in touch with what attracted me to this in the first place: the complex bond between Gwen and Kate. While Kate delivers on her end of the scale, Gwen unfortunately leaves a lot to be desired. It's easy to be interested in what happened to her since it's shown more than told (yay!), but not easy or fast to invest in her character because she's such a remote character for 90% of the book - why do I care about Gwen if I know nothing about her? Though the frequent flashbacks interjected as Kate progresses show a little more to her, they usually reveal more about Kate and her state of mind <SPOILER>unreliable narrator!<spoiler> than her unstable sister.

This was good. Don't let the 3.75 out of 5 stars rating fool you - I very much enjoyed the majority of this quick read of a novel. Though it is long at 386 pages and too long for its story, The Cranes Dance is a layered and intricate look at ballerinas and sisters. Meg Howrey is impressive and her characters, especially Kate and Roger, loveable and memorable. Though I'm sure I'll read more ballet books in the nearish future, this one will stick out in memory for the unique way it handled the aspects of the story - and for Kate's sense of humor.
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