Review: The Girl Who Fell Beneath Fairyland and Led the Revels There by Catherynne M. Valente

Thursday, September 20, 2012
Title: The Girl Who Fell Beneath Fairyland and Led the Revels There
Author: Catherynne M. Valente
Genre: young-adult, fantasy, fairy tales
Series: Fairyland #2
Pages: 272 (Nook ARC edition)
Published: expected October 2, 2012
Source: publishers via NetGalley
Rating: 5/5

September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows—and their magic—to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.

Fans of Valente’s bestselling, first Fairyland book will revel in the lush setting, characters, and language of September’s journey, all brought to life by fine artist Ana Juan. Readers will also welcome back good friends Ell, the Wyverary, and the boy Saturday. But in Fairyland Below, even the best of friends aren’t always what they seem....

It's hard to duplicate a success - countless series and books that follow-up first-in-line beloved stories can easily attest to how hard a feat that is to accomplish. Happily, that is so far from the case here with Catherynne Valente's second foray into her magical, modernish fairytale series with The Girl Who Fell Beneath Fairyland and Led the Revels There. Told once again in the same wistful, cheeky tone, and with the same immediately immersive feeling as the first one, but with a more mature September and a more convoluted journey, Catherynne Valente once again proves how imaginative and capable a storyteller she is. Set a year after the first novel wrapped up, readers will have all new marvelous adventures, new anthropomorphic creatures, more wondrous and weird locales to sink into as they go along with September in her fight to once again save Fairyland.     

These two books have been absurd, funny, poignant, and filled to the brim with odd, hard-won wisdom. The second adventure with September in Fairyland and Fairyland-Below has lost none of the originality or charm that so defined the first. Without a single doubt, this newest novel from the author is another winner from prosemaster Catherynne Valente. I loved this. Even more than the first, which I would've bet wouldn't've happened before I got a chance to read an ARC of the eagerly-awaited second.

With the same narrator, who frequently breaks the fourth wall to directly address his audience about the goings-on of September and her "new" motley band of misfits, The Girl Who Fell Beneath Fairyland and Led the Revels There is as highly imaginative, and uniquely told as its predecessor. Though told in the same inimitable and thoroughly cheeky prose brimming with deeper meaning, Valente has a subtle way of intertwining hard-won wisdom amid her world of absurd and wonderful creations. With just as many quotable sections as the first, The Girl Who Fell Beneath Fairyland... benefits from a larger focus on plot than the novel before. The novel still reads more like episodic vignettes than a straight-forward novel, but the overarching need to save Fairyland from Fairyland-Below drives September ever on. 

The first September novel came across as an original and compelling mix of a modern fairytale, with a lot of ideas and events borrowed from the ages-old Persephone myth. The forced return for eating food, the regular mention of pomegranates further reinforced that feeling for me as I progressed in my read. Here in the second, I caught vibes of the Orpheus myth - someone sent into the underworld to retrieve something vital to her/others. Though in The Girl Who Fell Beneath Fairyland's case, it is not someone but something that must be retrieved. So far, both novels in this hopefully-ongoing series have uniquely and successfully blended adult themes, ideas into an easily readable and immensely enjoyable, highly original take on fairy tales. This is a series and book like no other. 

More mature, and darker than the first novel, September's journey shows how much the main protagonist has grown and her battle with her darker self will appeal to  readers of all ages. Filled with "mad and savage beasts", September's journey to save the world and put herself right easily blends classic fairytale ideas with new, more modern adaptations. With hints at a third, and more secrets than previously imagined, I anxiously hope that this is not the final adventure with September, Ell, Saturday, and everyone else. Full of brilliant prose, multilayered meaning, The Girl Who Fell Beneath Fairyland and Led the Revels There is another winner from a very talented and original author. These books -and this author - are nothing short of remarkable.



"The sky glowed deep blue and rose, and a little yellow star came on like a lightbulb in the warm evening. That's Venus, September thought. She was the goddess of love. It's nice that love comes on first in the evening, and goes out last in the morning. Love keeps the light on all night."

"[September] did not know yet how sometimes people keep parts of themselves hidden and secret, sometimes wicked and unkind parts, but often brave or wild or colorful parts, cunning or or powerful or even marvelous, beautiful parts, just locked up away at the bottom of their hearts. They do this because they are afraid of being stared at, or relied upon to do feats of bravery and boldness. And all of those brave and wild and cunning and marvelous and beautiful parts they hid away and left in the dark to grow strange mushrooms – and yes, sometimes those wicked and unkind parts, too – end up in their shadows.”

"A book is a door, you know. Always and forever. A book is a door to another place and another heart and another world." 


Review: Caine's Law by Matthew Stover

Saturday, September 15, 2012
Title: Caine's Law
Author: Matthew Stover
Genre: fantasy, science fiction
Series: Overworld #4
Pages: 496
Published: April 2012
Source: ARC from SF Revu
Rating: 4/5


SOME LAWS YOU BREAK. SOME BREAK YOU.
AND THEN THERE’S CAINE’S LAW.
 
From the moment Caine first appeared in the pages of Heroes Die, two things were clear. First, that Matthew Stover was one of the most gifted fantasy writers of his generation. And second, that Caine was a hero whose peers go by such names as Conan and Elric. Like them, Caine was something new: a civilized man who embraced savagery, an actor whose life was a lie, a force of destruction so potent that even gods thought twice about crossing him. Now Stover brings back his greatest creation for his most stunning performance yet.

Caine is washed up and hung out to dry, a crippled husk kept isolated and restrained by the studio that exploited him. Now they have dragged him back for one last deal. But Caine has other plans. Those plans take him back to Overworld, the alternate reality where gods are real and magic is the ultimate weapon. There, in a violent odyssey through time and space, Caine will face the demons of his past, find true love, and just possibly destroy the universe.

Hey, it’s a crappy job, but somebody’s got to do it.



Reviewed by April.


Caine is back after a long layoff. He is “up against it,” as usual. This time, though, all of his experiences can only go so far; his heart will have to carry him the rest of the way. In this fourth and probably last novel in the phenomenal Acts of Caine series, Stover tries to pull off a difficult storytelling form in addition to some strange twists to the story itself, and almost succeeds.

The reader should, first off, be forewarned about a couple of things in Caine's Law. This book definitely fixes the long-endured frustration of Caine Black Knife readers who were stuck with the cliffhanger ending in the last book. It also adds synergistically to that story--both novels are better together than the sum of their parts. However, if you haven't read the previous books in the Acts of Caine, do NOT start here. With Stover's use of nonlinear time and mysticism, this could get confusing very quickly. Additionally, keep in mind that Caine is of the Labor caste; he grew up in a slum. He curses constantly. The violence in all the Acts of Caine is fairly gratuitous as well. This is not a series for the faint of stomach heart.

Caine's character has been through hell and back. His no-care, no bull attitude towards life is part of why he is one of the best postmodern sword and sorcery characters in existence. His capital P Presence is again one hundred percent, well, present; he remains Matthew Stover's magnum opus. All the other things fans of Stover have come to expect are here, too: for instance, the various subthemes like personal vs. collective consciousness, the abstract vs. the literal, and individual vs. society. This kind of social, political, and philosophical commentary help make these stories not just action-packed and entertaining, but also intellectually stimulating.

While Caine remains the best example of Stover's ability to create flawed, true to life characters, one particular addition to the cast in this novel was a stroke of genius. Those who know Caine realize the painful journey he's taken in his love life. In several ways, Caine finds peace--at least more than he ever supposed he'd find. One of those ways is through the horse witch: a gruff, mysterious woman with little to say but so much to give. The chemistry these two characters generate surpasses anything Pallas Ril could ever have hoped to have. The most amazing part is that that seems to have been Stover's intention. Chemistry is a tricky thing to try to force, and for this author the generation of relationships both positive and negative falls into place naturally.

Unfortunately, this installment in the Acts of Caine does have a few notable problems. Although it is well worth it at the end, impatient readers may find themselves confused and frustrated with the structure of the story itself. While I admit to spending time trying to dig through a little bit of the story, the bigger problem for me was that Caine becomes too larger than life this time. He's always been over the top to some degree--and in many ways that is what is so awesome about him--but I never got the feeling that Caine's death was imminent, like I did in the previous novels. There was never a doubt that he would win the day. In a way, that's a backhanded compliment though, because it means the protagonist is finally grown up and has found some form of contentedness within himself. While it diminishes the novel somewhat, there is satisfaction in the end of the series as a whole. That's not to say us huge Caine fans out there wouldn't love to see some prequels or novels of Caine between these story events, but it does feel like his journey is finally at the right ending.

So what is Caine's Law? That, you would have to read to find out. While this is not the strongest of the Acts of Caine, it still makes a fine addition to the series and is well worth the read. Caine remains one of the best characters I’ve ever had the pleasure to know.

Recommended.

This book was sent as an ARC from SF Revu.

Review: The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente

Thursday, September 13, 2012
Title: The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
Author: Catherynne M. Valente
Genre: young-adult, fantasy, fairy tales
Series: Fairyland #1
Pages: 256 (paperback edition)
Published: April 2011
Source: bought
Rating: 5/5

Gather up your courage and your wishes; grab a little pinch of luck - and prepare to be swept away, in a ship of your own making, to a land unlike any other. September is a twelve-year-old girl, Somewhat Grown and Somewhat Heartless, and she longs for adventure. So when a Green Wind and a Leopard of Little Breezes invite her to Fairyland - well, of course, she accepts (mightn't you?).

When she gets there, she finds a land in crisis and confusion - crushed by the iron rule of a villainous Marquess - she soon discovers that she alone holds the key to restoring order. Having read enough books to know what a girl with a quest must do, September sets out to Fix Things.

As September forges her way through Fairyland, with a book-loving dragon and a partly human boy named Saturday by her side, she makes many friends and mistakes; loses her shadow, her shoes and her way. But she finds adventure, courage, a rather special Spoon, and a lot more besides...

This book is:
  • utterly magical
  • full of imagination
  • not without dark themes and occurrences
  • unique
  • told in inimitable and thoroughly cheeky prose brimming with deeper meaning
  • filled to the brim with adventures
  • creative with new fairytale creatures
  • a wonderful mix of classic fairytale staples blended with new interpretations

This book is not:
  • just for children 
  • simple

I've had my eye on this particular book for a while - with that cover, it's not hard to see why - and, thankfully, it is that rare novel that holds up to hype, expectation, and hopes. From the first page with the cheeky omniscient narrator to the last with its hints to a sequel, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making is delightfully absurd tale of magic, corrupted power, friendship, and perseverance. Catherynne Valente can spin a tale like no other (as I learned reading the heartbreaking Deathless earlier this year), and her adaptation of the fairytale genre is like no other I've read.

One part Persephone myth, one part Alice in Wonderland, and one part odd and wonderful, The Girl Who Circumnavigated Fairyland is not just a children's story. With darker elements and themes subtly wwoven into the episodic frame, Valente creates a story that will resonate with readers of all ages. While I wouldn't say there is an exces sof plot - or even much of a general one, as the story weaves its way around the Fairyland - the Wyverary, Gleam, Saturday and September herself will more than keep the audience firmly tuned in. 


With sly humor, and subtle allusions to other famous novels, this weirdly charming, occasionally quite funny little book balances wisdom with adventure, creativity with evil, and the modern with the fantastical. It's a highly original novel, full of some of the best prose I've had a chance to read in some time. Nearly perfect, engrossig and lively, I can't really express how much I loved my read of this. Without a doubt, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making is more than worth a read. It's a winner from beginning to the too-soon end.



"But luck can be spent, like money; and lost, like a memory; and wasted, like a life."

"All children are heartless. They have not grown a heart yet, which is why they can climb tall trees and say shocking things and leap so very high that grown-up hearts flutter in terror. Hearts weigh quite a lot. That is why it takes so long to grow one. [...] (It is well known that reading quickens the growth of a heart like nothing else.)"

"Only because you are small. You are young and far from your Death, September, so I seem as anything would seem if you saw it from a long way off — very small, very harmless. But I am always closer than I appear. As you grow, I shall grow with you, until, at the end, I shall loom huge and dark over your bed, and you will shut your eyes so as not to see me."

"Do not ruin today with mourning tomorrow." 


Blog Watch Wednesday

Wednesday, September 12, 2012
Reviews:






Fun Stuff:


Meg Cabot's shares personal recollections and a poignant video on the tragedy. 500,000 people evacuated by boat in under 9 hours - the largest sea evacuation in history.

The World Trade Center site - a time lapse video of the rebirth of the area.

This poster lets YOU smack that arrogant ass Joffrey IN THE FACE! Win all around! It's also available in t-shirt form.


The shortlist for the 2012 Man Booker Prize has been released! Man, apparently I really do need to read Wolf Hall and Bringing Up the Bodies.

TUMBLR OF THE WEEK: FILMography. A tumblr that finds famous scenes from movies in real life.



EL James is at it again. "It" meaning completely stupid and hypocritical.






The delightful Wendy Darling participated in a podcast full of Aussie writers! Kirsty Eager, Shirley Marr, and more!


The best author vlog I've come across. Jay Kristoff wins the internet. Also bonus Australian accent! And warning: strong language.

One of the producers behind the Harry Potter movies is going to make Shadow and Bone by Leigh Bardugo into a movie! I am SO EXCITED. The Darkling! On screen! I must start fantasy casting this in my mind asap.


An infographic on all the deaths shown so far in Breaking Bad. I assume spoilers, but I don't watch so I don't know for sure. 




300's sequel now has a name... and it is 300: Rise of an Empire. Yeah, you go Cersei Lena Headey.

Don't miss the first pictures of Alan Rickman as Ronald Reagan and Jane Fonda as Nancy. All I have to say is: scary.


The CW buys a monster high school drama! I love how the CW handles its other monster-centric show (SUPERNATURAL!), so I will be tuning in at least for the pilot.

Also coming to tv: Terry Brooks Shannara saga.

The 12 Greatest Science Fiction War Stories. Yeaaaah Firefly! and DUNE!! And Ender, of course.

Review: Crewel by Gennifer Albin

Tuesday, September 11, 2012
Title: Crewel
Author: Gennifer Albin
Genre: young-adult, post-apocalyptic, dystopia, fantasy
Series: Crewel World #1
Pages: 368 (digital ARC edition)
Published: expected October 16 2012
Source: publishers via NetGalley
Rating: 3/5

Incapable. Awkward. Artless.

That’s what the other girls whisper behind her back. But sixteen year-old Adelice Lewys has a secret: she wants to fail.

Gifted with the ability to weave time with matter, she’s exactly what the Guild is looking for, and in the world of Arras, being chosen as a Spinster is everything a girl could want. It means privilege, eternal beauty, and being something other than a secretary. It also means the power to embroider the very fabric of life. But if controlling what people eat, where they live and how many children they have is the price of having it all, Adelice isn’t interested.

Not that her feelings matter, because she slipped and wove a moment at testing, and they’re coming for her—tonight.

Now she has one hour to eat her mom’s overcooked pot roast. One hour to listen to her sister’s academy gossip and laugh at her Dad’s stupid jokes. One hour to pretend everything’s okay. And one hour to escape.

Because once you become a Spinster, there’s no turning back.



Reviewed by Danielle.

I’ve been watching Crewel with breathless anticipation since I saw the cover on Cuddlebuggery. When the ARC went up on Netgalley, I clicked that request SO. HARD. And then I had to wait two weeks while all my friends got theirs and posted loving, 5 star reviews. When Macmillan finally accepted my request, I did a very enthusiastic happy dance that may have scarred my mail clerk forever. What I’m saying is I wanted Crewel to succeed more than any book in a long time. And I was disappointed, like your mom when you bring home a C in a subject you could ace if you’d just apply yourself.

This book was a readalong with Jessie, who as always was fabulous and brought up great discussion points. In an exchange near the end of the book, I joked that I still didn’t know if the world of Crewel took place inside a key à la Incarceron. (Note, yes that’s both a minor spoiler and not for Incarceron, because they’re not actually in the keys. Please just go with me here.) And then it hit me. I feel the same way about Crewel that I felt about Incarceron.

Both are acclaimed YA novels with massively original worlds that I felt fell down in building them. Both have main characters that can be difficult to like, (though Adelice is miles better than Claudia.) Both had bright points but ultimately left me underwhelmed. And both were incredibly difficult to review.

Crewel begins, like so many dystopians, on the day the main character undergoes some sort of ceremony to become an adult. In Arras, that would be the Spinster testing to see if young girls can see and manipulate the weave of time and matter. Adelice has all the skills, but her parents have secretly trained her for years to fail the test. They’re distrustful of the Coventry and the life of the Spinsters, so they teach her to be graceless and clumsy, and to pretend not to see the threads. Everything goes well during the first rounds of testing, but on the last day Adelice slips and weaves.

I would like to take a moment and ask what the hell being graceless has to do with weaving? It’s established that Spinsters can only see the weave through special looms that the children have never been exposed to until testing. So this isn’t a case of “untrained magic users are unconsciously using their gifts to be stronger/faster/better.” Yet Adelice’s classmates are certain she can’t be a Spinster because she’s awkward and clumsy. Is it supposed show that she’ll fumble the threads? Because I trip over a lot of stuff, but my hands are steady. I find questions like this really frustrating and take me out of the world.

From testing, Adelice is taken to the Coventry against her will and we’re introduced to the books’ two main antagonists, Cormac Patton, Coventry Ambassador for the Guild of Twelve, (that’s a lot of words to say his job is cryptic one sided phone calls and showing up to fuck with Adelice,) and Maela, a sadistic Spinster in charge of training Eligibles. Cormac at least gets some interesting lines and a bit of characterization. Maela literally kills people for no reason and apparently the Guild thinks that’s hunky dory. We also meet the Love Triangle, Erik and Jost. Erik is Maela’s personal assistant that she’s banging on the side and Jost is the head vallet.Their descriptions and roles are basically interchangeable, except Erik is the slightly dangerous one and Jost is the slightly sweeter one.

At this point, I can forgive Crewel for being a bit derivative and flimsy in the world building, because we finally get to what I’ve been waiting for. Adelice’s first weaving lesson is a nugget of brilliance, completely original and enticing and...over in about 8 pages. But that’s OK, we only have to wait one chapter for some more weaving. And then political intrigue for 50 pages. Then some weaving. Then a ball! Then angst, angst, angst. But then some weaving! It turns into a roller coaster ride, just when the plot finally starts to feel fresh and we learn a tidbit of Arras’ history, down we go to boring love triangle drama. Every time I’d want to stop, we’d finally get a confrontation. Sadly, the highs aren’t high enough to carry the tension and excitement through the low times. I’ve said books are uneven before, but this one takes the cake.

Without divulging too much, by the time we arrive at the conclusion, there are still a lot of hanging threads and flat out holes. Someone Adelice loves is believed dead, but one of the love interests reveals this is probably not the case. Adelice is so overjoyed that she spontaneously kisses him and rushes off to do...nothing. It’s never mentioned again. She never looks for this person. They stop existing as soon as the scene is over. And then there’s the mental gymnastics she has to do at the end of the novel to learn the connection between Erik and Jost. It may be the most ridiculous logic jump in the history of fiction.

But despite all of this, I can’t call Crewel bad. I still think the premise has a lot to offer, particularly in the sequels. I enjoyed large parts of the book, mostly pertaining to Loricel the Creweler. And I do want to give special props for being the only YA dystopian I’ve read that mentions and deals with the fact that sometimes people are gay. How they handled that, well that goes back in the negative column, but I appreciate the effort. For such an original premise, scoring this book average is the meanest thing I can do, but that’s how it shakes out. 

Two Minute Review: The Sinister Sweetness of Splended Academy by Nikki Loftin

Sunday, September 9, 2012
Title: The Sinister Sweetness of Splendid Academy
Author: Nikki Loftin
Genre: middle grade, supernatural fiction, mythic fiction, retellings
Series: N/A
Pages: 304 (Nook ARC edition)
Source: publishers via NetGalley
Rating: 3.75/5

When Lorelei's old school mysteriously burns down, a new one appears practically overnight: Splendid Academy. Rock-climbing walls on the playground and golden bowls of candy on every desk? Gourmet meals in the cafeteria, served by waiters? Optional homework and two recess periods a day? It's every kids's dream.

But Lorelei and her new friend Andrew are pretty sure it's too good to be true. Together they uncover a sinister mystery, one with their teacher, the beautiful Ms. Morrigan, at the very center.

Then Andrew disappears. Lorelei has to save him, even if that means facing a past she'd like to forget – and taking on a teacher who's a real witch.

What Lorelei and Andrew discover chills their bones – and might even pick them clean!

It's not the fault of The Sinister Sweetness of Academy, but I would've probably enjoyed this much more had I not read it the day after reading - and being floored by - Lauren Oliver's exceptional The Spindlers Oliver's tale has more depth, meaning, and is told with  much more eloquent and lyrical writing - all of which make it stand heads above this modern retelling of Hansel and Gretel. While this novel is entertaining, occasionally creepy, and darkly told, much like The Spindlers, it lacks the heart and the charismatic protagonist that made that middle-grade novel such a hit with me. While The Sinister Sweetness of Splendid Academy is far from a bad book, it just could've have been so much more.

To the credit of the author and the novel, it is the human problems that Lorelei must overcome that stand out and resonate with readers. Despite battling three witches out to eat fat, trusting American children, it is Lorelei's personal struggle to get past her guilt and self-hatred over an incident in her past that makes her relate-able, and likeable. A clear homage to the myth that inspired the tale, the supernatural witches are creepy, insidious, and it takes smart children to see the danger their parents are blinded to and save themselves. Subtle lessons about key problems with today's society like self-worth, love, bullying, and even obesity are incorporated into the story and will make this a book worth reading for the younger set.

The Sinister Sweetness of Splendid Academy is a well-written and detailed middle grade novel. If it falls short of the awesomemark left by the Spindlers, it is still a relevant, simple, fun and fast read. The few illustrations scattered through the ARC help to create a vaguely unsettling mood that builds more and more tension and the pages turn and Lorelei slowly uncovers who the real monster in her life is. I enjoyed this - just not as much as I had hoped.
Related Posts Plugin for WordPress, Blogger...

Copyright © 2015 Ageless Pages Reviews. All Rights Reserved.

Amelia Theme by The Lovely Design CO and These Paper Hearts.